 
        SRV1981
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Everything posted by SRV1981
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	What cameras would be good to search on YT for good baked in looks with some flexibility in look without having to grade log?
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	This camera doesn't seem to be marketed toward folks using extensive color correction or 30-45 minute runtimes for single clips. Most content creators on YT, etc., probably record 30s to 5 minutes on most clips.
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	Panasonic S5 II (What does Panasonic have up their sleeve?)SRV1981 replied to newfoundmass's topic in Cameras I liked the a7iv in this
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	To what degree are folks creating travel videos, vlogs, and YT content filming for greater than 30-45 minutes at a single clip? I'd imagine that is very small segment and within that segment they do it sparingly.
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	So overall, is seems the reception here is luke warm at best. Fx30 offers better video for less, A7iv offers better hybrid for around the same. Yet some feel this will sell a bunch. What am i missing?
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	How does this compare to fx30?
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	https://www.sonyalpharumors.com/some-additional-zv-e1-info/#disqus_thread
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	Curious about this. Prefer baked in LUT or SOOC with minor in camera. For example if you had an a7C could you adjust magenta in video in camera and get a more “canon” look ? For runs and gun and doc stuff - wondering if a7C is better than fx30 if not doing heavy grading and taking some pics
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	Damn. Got me 😂
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	https://www.sonyalpharumors.com/some-additional-zv-e1-info/#disqus_thread Where does this fit into the market?
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	To what degree does this matter for you? To bring focus to the questions let’s consider 3 scenarios: 1. you’re shooting weddings, events, and documentaries output YouTube and other mediums clients want 2. you’re shooting narrative filming mostly and some event work as in 1 output YouTube and other mediums clients want 3. you’re shooting for personal use, run and gun personal docs, narratives, sports, travel. Output: YouTube
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	What’s the trade offs?
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	Are there sub $5k cameras in the market today that present similar images?
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	Looked epic! That was eos-m with ML??
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	Correct - just brainstorming - get at least 1 lens that’s full frame for your apsc camera for future when or if you get a full frame then you already have glass.
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	Makes sense! Just trying to see if there is a downside of it. I may call to see details. 0% seems like a no brainer. Could make acquiring an fx3 a better deal than outright purchase of fx30
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	Yea makes sense. Looking at the history and trajectory it seems that Sony is the better investment. Maybe an APSC zoom and full frame prime for low light
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	Has anyone done this? Curious details. Could be a good way to budget for an fx3/6
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	Who would you see an fx30 for versus an S5II? What are the customers that each are best suited for?
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	Naive question, because I too like the nostalgia Fuji provides internally, but with cameras like s5ii and others providing internally baked LUTs - doesn’t that mean you could get equal or better creative looks with minimal post processing ?
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	Really appreciate it. I value your input. I’m not a pro. I’m using for personal use but an analytical person into many different areas. Love reading through the board. I pose questions I’m curious about because I don’t know the answer and enjoy reading the banter between members. I’ve learned so much. I’ve made videos for students and athletes I work with etc and they enjoy it. The quality has improved from reading here. We all need community hence why we join forums etc. that said, a lot of good comments here, aside from the snark, and appreciated ! The fx30 sounds like a great a cam for folks like me who do run and gun with no formal lighting, may not be a lowlight monster, or a b cam for studio work or a bigger crew. S5II and xh2s seem like worthy competitors. The BMPCC stuff doesn’t seem geared to single shooters when the aforementioned cameras exist.
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	You repeat the same passive aggressive lines and I respond with the same refrain: this is a forum, im trying to have a conversation about a topic that interests me. I’m not always buying cameras but enjoy the process and chatting about it. Do not respond or read these posts 🙂
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	What about when you’re comparing DR, color, log profiles?
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	How would you wade through deciding on that many cameras?

 
					
						