shooter

Many, must confess. Here are (only) a couple of suggestions:
 
 
 
What about you?

That's news-gathering! : D
 

Indeed : )
And if Spielberg's Saving Private Ryan is typically the finest example for high shutter speed creative use from Janusz Kaminski's tip, Mel Gibson's Apocalypto (cinematographed by the Aussie Dean Semler) is the opposite for a 360 degree shutter or open shutter, that is, double motion blur when a video smear look ends as purpose. Just for our matter of taste on the basis of need, function and alike. Not everyone sees it in the same way, no matter what. We can't all share the same yellow colour in point of fact.
a7RII release, as for instance, came along its slower shutter speed capability in video mode beyond the 360º shutter as a very special hybrid acquisition experiment tool as you wish (I am used to shoot both video and stills with my Blackmagic Pocket series in 2020).
Here's Dan Chung's sample:
https://indietips.com/shutter-speed-and-shutter-angle-explained/

Some footage is really gorgeous, thanks.

This guy finds the 33mm 1.4 optically superior to the classic Fuji 35mm 1.4, which is impressive. 

Thank you. You are right I misread the XC 35mm for the XF #noob. The Fuji sells around 400€ in europe and Viltrox 350€ aound my area (France) - not an extensive search though

It seems like the "f1.4" in terms of brightness is actually closer to a f1.8 in this case. Being the difference between F and T measure for light. Now that being said in terms of bokeh I'm not sure how that plays out. 

This is the test I have seen would be interested in your advice : 


 

You're welcome, pal : ) Thanks for your heads-up and to @Kisaha as well on his most recent YT entry (LOL my brother, you have no idea of my open smile now when I've just typed it) on Autel's bird issues report, so here's my best bet then:
 
People say it cannot fly by night (I might wonder only on autonomous mode, no?), so no idea on any workaround to overcome it if so.

Question made and coming from here:
 
Here's a workaround for Skydio 2 night footage:
Disclaimer provided by the brand itself:
https://www.youtube.com/watch?v=zm8sZoIseTc&lc=UgxPi6AiqlZoMdghykd4AaABAg
 
Still valid and worthy to try IMHO : -)
 

movie clip

I do concur in fact : ) Here's the recent international launch presentation:
 
 
Samples:
 
 
 
 
Last but not least, a cinematic attempt of a COVID-19 video ad in the middle of a review:
 
To conclude, here are two interesting comparatives from one of the usual most popular smartphone camera YT reviewers:
 
 

I fully understand you Márcio @Márcio Kabke Pinheiro, seems we have no alternative to look in any direction indeed. Well, you're welcome over here for sure! : ) We've fallen in love with your country, no matter the current nonsense panorama and how incredible the situation the country of Bossanova is living today... : X Remember Jorge Amado... Roque Santeiro? Universal language.
Take a look on this other feature documentary financed by ARTE:
 
It is ironic this great name of the Portuguese language and Brazilian culture died exactly last year, isn't it? ; )
 
In the same way, the feature doc A Machine To Live In praises Oscar Niemeyer's work but not only...
One of the main themes of A Machine To Live In is Brazil’s dream of building a first world utopia and ended up dropping a nightmare into the Brazilian cerrado... The Citizens then took these themes of utopia building back to their satellite cities. These are their reactions so to speak to living in the Dream of the Others.
 

shot from A Machine To Live In (2020) by the cinematographer Andrew Benz over Brasilia Rodoviária / central bus station

Doc shot mainly on RED cameras (90%+ of the film was shot on the Epic MX/Dragon), I am professionally involved throughout my activity as film producer and this unique endeavour with my veteran buddy Andrew Benz (Executive Producer and Cinematographer https://twitter.com/benzdigital) over 8 summers in Brasilia (Brazil) and the producer Sebastian Alvarez.
Directed by Yoni Goldstein and Meredith Zeilke.
 
One of 8 films selected by 2017 Dok.Incubator.
Top prize, the Finishing Award, valued at over €12 000,00 to have credits and 2K SDR and 4K HDR color correction & DCP done in Luxembourg at Espera Studios.
 
North American Premiere at True/False Film Festival 2020.
 
International Premiere at Visions du Réel in their Burning Lights International Competition.
https://www.visionsdureel.ch/en/2020/film/a-machine-to-live-in
 
https://www.instagram.com/amachinetolivein/
https://facebook.com/profile.php?id=673829559432300
https://twitter.com/AMTLI2020
http://blog.ultrabrasilia.com/
 
 

8K macro would be terrific!

Well, the macro lens there it is 2MP anyway... LOL
Here's some 8K bokeh to mention though:
 

8K macro would be terrific!

Here's a test sample with the previous Note model:
 
I'd dare to say we'd love to believe it shouldn't be much different, even though, there's a dedicated macro lens there anyway ; -)

I wonder how good macro is?

One is coming...

Here's some interesting series from this Ukrainian channel:
 
 
 
 
 
 
 

This Jamie Windsor's video is probably the best video about composition I've ever watched. 
Seriously. 
He mentions the most important rules but it's just to lay some foundation for a discussion whether one really needs to rely on them every time. 
And I really like his motion graphics. 
 
There is also a book I can't recommend enough: The Photographer's Eye by Michael Freeman. 
Very thorough but still easy to read and comprehend. Lot of diagrams, explanations, etc. 

Yup, Emanuel had posted about it before: