mercer

@webrunner5 So what, get a bigger card and stop every half hour. Or multiple cards and stop to change a card. I don’t think production ends for the day for a card change. And yes if you are shooting a run and gun documentary, it’s probably not the right camera and probably wasn’t designed for you. Get a C300ii or a C100ii or an EVA1 or shoot in the 8bit variant... or buy the C200B and buy an external SDI recorder to capture downscaled 2K from the Raw at 10bit. But sorry, I don’t think BBC standards should be a concern for 99% of the shooters on this forum. I mean, if you want to drive on the Autobahn, then don’t buy a Ford Fiesta. Or in converse, if you want great gas mileage, don’t buy a Lamborghini.

C’mon, if the media is too expensive, then this camera is definitely not right for your production. But if you’re making a serious short film, with a budget, then another grand for Cfast 2 cards shouldn’t be a concern... I mean seriously... who is going to spend $7500 for a camera that shoots 4K Raw up to 60p and then complain about the cost of the media and want to shoot 8bit?!?! But the real hilarious part of this argument is that the people complaining about the cost of media to shoot Raw 4K on the C200 are fine shelling out comparable costs for the V90 cards to shoot h.264 on the GH5. If you want a serious camera, you have to pay serious money and if you don’t, then there are plenty of amazing options in the sub $3000 consumer category.

I think you posted a similar link last year which also showed a strong showing for Arri and Canon and a small showing for Panasonic.. In fact, I was surprised to see how many filmmakers used the 5D Mark iii last year and that was one of the many reasons I chose it over the GH5. But I don’t agree with you about Kinefity, I think they released an amazing camera with the Terra 4K.

Yes but in that mirror space, they could include a hefty ibis system or internal NDs... who am I kidding... Canon won’t do either.

Pretty crazy how much better these Sigma lenses with the MC-11 adapter are compared to the Canon/Metabones option. I still don’t think the Sony PDAF is as natural looking as Canon’s DPAF, I noticed some light pulsing, but for most applications, it’ll do and many Sony users will be very pleased. That 24-35mm is sharp as a tack. The next time you Shot ML Raw, I’d love to see some sample footage with that lens.

Who is Steven Spielberg for $500, Alex.

I guarantee somebody could post the same topic/content in both sections and the post in the main forum would get more views and discussion. Obviously, you cannot control what people respond to but I think it could be easily measured that the tech is of bigger interest than the results of the tech.

Yeah but the problem is people on this site seem more interested in the main forum where the tech is discussed than the shooting sub-forum where creativity is showcased.

Awesome... Is that a screengrab

You can almost get a Zeiss Compact Prime for that kind of money...

@Mattias Burling I literally just saw and liked this on IG... nice shot.

Nice as well! I’ve heard good things about that 35mm. Here’s a few more from the Minolta...

Minolta MC 35mm 1.8

The obvious explanation is that Ebrahim kidnapped BTM and sold him to another forum?

That recent photo you posted on IG of gunpowder shot with the 7artisans is absolutely stunning!!!

@Andrew Reid That’s right... it would be a perfect walk around lens for me. If you need some length, keep the 85mm 1.4, non Art (half the price of the Art version but probably the same lens or close enough) in your bag, just in case. Great two lens solution.

It gets great reviews but it’s big and heavy. But I love my old Minolta 24-35mm and my Tokina 24-40mm... just a great focal range for a zoom in my opinion... so awesome as a two primes in one solution with that ability to punch in or out a bit when needed.

Yes, I would guess that there have been more EF lenses sold than Nikon lenses... partially due to Kit lenses being included as both a lens sale as well as a camera sale.

@webrunner5 honestly, having grown up shooting Super 8 and VHS, I am blown away by what any of these cameras are capable of. Hell, a t2i and a GH1 are insanely better than the mini DV I used for my first short and that was monumentally better than the Hi-8 camera I had before that. We’re really lucky.

The GH5s uses a Sony sensor capable of Dual ISO... so I’m pretty sure Sony could have Dual ISO on an upcoming camera, so I doubt Sony is too worried about Panasonic. Hell, Panasonic isn’t even in the top 3 of mirrorless sales in their own country.

I thought you lived in Greece?

I agree, I just want more mirrorless options. I actually like DSLRs, but it seems that Nikon and Canon May introduce more video oriented features in a mirrorless. To add, at first I thought it was a bad move for Nikon to go with a new mount and make it more difficult for their loyal pros to use the lenses they’ve acquired over the years but since the flange distance is so small, it may have been brilliant in the end for choices. On the other hand, I think a FF Canon mirrorless absolutely needs to be in EF Mount.

This!!! Films are first and foremost a visual medium. Every film should make sense without any sound. Sure sound enhances the experience but dialogue and sound effects support the visuals. Obviously, an exception would be music videos.

One of the reasons Canon is King is that their Auto functions work really well. I know this post is about Raw stills but I’ve even shot with Shutter priority and ML Raw... with surprisingly okay results. I think if I had the time to really test it... Shutter Priority, +2-3 stops, in conjunction with AEL Hold, one push AF and an IS lens... the 5D3 becomes a P&S cinema camera. Btw, nice images.

The z Mount is interesting because of the flange distance. I hadn’t realized that the Nikon 1 Mount has a longer flange distance, so I assume they’re going to make an adapter for both their F Mount lenses and their Nikon 1 lenses, and possibly just use all of their Nikon 1 designs and production and put the new Mount on their 1 lenses. Also it’s very cool to see that a lot of C Mount lenses will work in FF with the Z Mount. Hmm. Also with Sony having IBIS, I assume Nikon will have to have it as well to compete early on with Sony’s head start.