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Posts posted by Orcadia
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15 minutes ago, araucaria said:
Well, with a 2X stretch you will use 1290x1080pixels vs 1920x803 letterboxed. That's 1.3mp vs 2mp. A 1.33 strech anamorphic lens is another story, I think that would look better.
sorry im missing something, but why wouldn't we be using 1920x1080 pixels stretched out by the lens?
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23 minutes ago, araucaria said:
I tried this with a 720p 16:9 projector. The image quality was terrible, but fun. There are several problems but the main reason is that in digital projectors you have pixels with visible screendoor, even with a 1080p dlp projector you can see them (unless you project a very small image or sit far away). This isn't too problematic, but when you stretch the image 2X, you are stretching the PIXELS, so actually you will see the same resolution (unless you crop, then you will have less) because you are looking at the same pixels. But the percieved resolution will be less because the density of pixels has gone down, and the vertical pixel gaps will be much more evident.
thanks for info Aurucaria appreciated .
But i thought we would be gaining about 30 percent resolution by not having to add the black bars on a 239 aspect image HD image?
But see your point about the visible pixels cheers.
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With respect to video produced anamorphically would there not be a resolution advantage to actually projecting the squeezed image with a projector fitted with "desqueeze" anamorphic adapter?
A full 1080p HD image (no black bars) vertical plane compressed/squeezezd i.e the way it used to be done with film.
Q. Would this actually work?
Q2 has anyone any experience with attaching anamorphic adopters to a consumer 1080 HD digital projector
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Hi Xavier, it is a form of "invisible cut "editing, there was a brilliant article on the technique on nofilmschool last month. Real eye opener. I hadn't realized myself but its an incredibly sophisticated technique of very carefully matching shots that are visually similar or connected. In particular the motion and speed of motion of the cut shots is vital. its very time consuming to get right apparently.
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im not getting much wider than 40mm with bolex so for superwide using a isco 2000, this is going to nikon ai, 28mm with slight vignetting wide open,
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Using this set up aswell. this anamorphic is just incredible,
Getting some amazing stuff paired with the voitglander 40mm ultron pancake, very light/compact set up that we are flying on the varavon birdycam.
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had a studio clear out
among items that perhaps may be of interest to forum
isco widescreen 2000 MC http://www.ebay.co.uk/itm/281668931511?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649
a modified 5D2 that shoots infa red video and stills http://www.ebay.co.uk/itm/Infa-Red-Camera-IR-Canon-Eos-5D-mRk2-/281668945908?pt=LH_DefaultDomain_3&hash=item4194c707f4
BMPCC + speedbooster kit http://www.ebay.co.uk/itm/281668919278?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649
thx
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SleepyWill said: "The problem will be in 10 years time when the kids today grow up in a world with one less Clarkson"
this thread and this blog have become to dumb to tolerate, im out
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Q. can samsung NX1 autofocus through a shoot through anamorphic adapter?
New Face recognition autofocus looks incredible for narrative film making.
i dont have NX1 to test but was wondering if anymore new if the autofocus would possibly , isco 2000 for example.?
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Hi Ed,
Saw these various negative comments and the even more bizarre responses on nofilmschool.
I think this video is both, an inspiring and very useful example of what can be done with this new camera and very successful piece of work. I think this passionate direct voice over works brilliantly.
Congratulations and Thanks for taking the time to share.
s
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Oh man, what a great way to start the day! Thanks a lot!
I'm already working on something new, but (unfortunately) it's not anamorphic. Still haven't got the guts to mix anamorphics and VFX because I'm still learning. Please keep me updated on your project, I'm eager to know more about it!
Well Tito current project very under wraps for moment but if your interested at all my previous work , simple google search "procter photography "
best s
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procter, it works just the same as the FM.
focus anamorphic to infinity, put it inside the rectilux, attach it to the taking lens, focused to infinity as well. attach this whole thing to the camera.
was this the explanation you were looking for?
Thanks Tito,
I kinda got it,but as i said it was more friendly advice for J Barlow about how is project presented. (Bolex Moller particularly interesting project, hope that one comes off.)
On an unrelated note wanted tot thank you personally for all your work on this forum, has helped me so much in the development of my own project. I thought your film was excellent and am genuinely interested to see what work you are going to do next.
cordialement
s
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sorry No dont see any sketch in your pdf?
i wasn't actually asking for an explanation how rectilux works, i kind of guess what it is, was just trying to offer some friendly advice.
As of now looking at the links to websites and multiple posts its very confused and wordy.
good luck anyways
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Hello John
Been following this thread for some time looks really exciting hope you pull it off.
One point for what its worth its actually incredibly confusing what your product is, both here and on your website.
I know a reasonable amount about anamorphic adapters and own or have owned most of the key ones. But I am not 100 percent sure what this exactly is.
a simple sketch/ image of how this would all connect to a camera to shoot would help enormously.
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These new products do look amazing and im definitely interested in buying.
But the previous comment that claims john Barlow closed a thread about a competitor is really shocking.
Is it possible to have more information from all parties concerned ?
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hi i have owned both these lenses in last 12 months. plus the letus.
The slr works great very easy to use but doenst really add so much of the anamorphic look. BUT it works great.
it is i think important for changing aspect ratio as opposed to pillar boxing which loses quite a bit of pixels information.
The bolex i still have is absolutely extraordinary, something complettely different and minature ( i also have an iscorama) the trick is to get one with a collar so you dont need a clamp, you then have a minature movie making machine, with GH3/4 speedbooster i paired it with the voitgmander ultron 40mm to great effect.
I personally think the 1.3X anamorphic lenses aren t worth all the effort (and theres a lot with dual focus anamorphic) even though 1.5x is technically to much of a stretch.
all just my personal opinion.
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FWIW
Had a lot of success with program "cliphouse"
it has speeded up our ML workflow.
Its most important feature is to preview your clips very quickly (not instantly but pretty quick) giving you on set playback.
we have a laptop with connected card reader, we dont offload card just use it to connect files to program for playback.
Also we found it can process/export your video file in the aspect ratios you decide.
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relisted due to idiot non paying ebayer
http://www.ebay.co.uk/itm/281325355152?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649
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It costs 1400. I've given up on the idea as it increases vignette and the metal housing doesn't really make it safer since dropping it will be even worse due to the extra weight. The only improvement for me would be the focus throw.
They said they are turning them around in under 30 days now though!
there turning them around in under 30 days ? wow thats amazing thanks for that
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Hi thought this may be of interest as I read some were put off by long turn around times.
Just recieved back from Van Diemen our iscorama with their standard mod
Not counting delivery both ways (Paris London), 1 week.
Gopro Anamorphic used on concept trailer
In: Cameras
Posted
Go pro anamorphic used on concept trailer
Small proof of concept piece that may be of interest.
Using BMPCC, Eos 5D3 with magic lantern and GH4&5.
Iscorama 36 & Bolex moller anamorphic adapter.
Also moondog anamorphic adapter duct taped to a Gopro session4 , (used low to ground shots in tunnel on the under body of a racing bike)
https://vimeo.com/249193590