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Posts
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rtwomey got a reaction from Zach Goodwin in Short Film - Mainly Super 16mm but also some 5D3 Raw
Thanks Stanley, we were fortunate to have a great composer write a score. It definitely elevates the film I think. I'm actually not sure about the scale of the models, the director and art director put all the time into that department.
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rtwomey got a reaction from Zach Goodwin in Short Film - Mainly Super 16mm but also some 5D3 Raw
Glad you enjoyed it. 5d was used for any of the extreme Macro stuff of the models. We had limited film stock and the models needed lots of takes. Used Film Convert to try match the raw footage to the 16mm.
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rtwomey got a reaction from Stanley in Short Film - Mainly Super 16mm but also some 5D3 Raw
Graduate film shot with Zeiss Super Speeds on S16mm Kodak Vision 3 250D & 200T along with some marco shots on a 5D mkIII with ML Raw. It was made about two years ago but has been going through festivals until now.
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rtwomey got a reaction from Blue Fox in Short Film - Mainly Super 16mm but also some 5D3 Raw
Graduate film shot with Zeiss Super Speeds on S16mm Kodak Vision 3 250D & 200T along with some marco shots on a 5D mkIII with ML Raw. It was made about two years ago but has been going through festivals until now.
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rtwomey got a reaction from Zach Goodwin in Short Film - Mainly Super 16mm but also some 5D3 Raw
Graduate film shot with Zeiss Super Speeds on S16mm Kodak Vision 3 250D & 200T along with some marco shots on a 5D mkIII with ML Raw. It was made about two years ago but has been going through festivals until now.
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rtwomey got a reaction from dan in Fisticuffs end new "Top Gear" series - how the BBC risked biggest franchise over catering fracas
I can't understand how anyone can justify what Clarkson did. Assaulting a co-worker and calling them a "lazy Irish cunt" should not be tolerated. As an Irish person who works below the line I'm pleased to see how the BBC have responded. Film and TV crews work long hard hours, there's no way they should be subjected to abuse.
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rtwomey got a reaction from Lammy in Fisticuffs end new "Top Gear" series - how the BBC risked biggest franchise over catering fracas
I can't understand how anyone can justify what Clarkson did. Assaulting a co-worker and calling them a "lazy Irish cunt" should not be tolerated. As an Irish person who works below the line I'm pleased to see how the BBC have responded. Film and TV crews work long hard hours, there's no way they should be subjected to abuse.
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rtwomey got a reaction from andrgl in Fashion Film - 5d Raw
This is a short fashion film that a few friends and I made recently for a graduate of the National College of Art & Design in Dublin, Ireland.
It was a non-commercial gig that we did with no money by calling in some favors. We filmed in two different locations, one in Dublin and another in Tullamore over the course of one day. A lot of the shots are available light with diff or bounce. The opening sequence in the science lab was lit with a couple of redheads and daylight. Small LED lights were used in places. It was mainly shot on Samyang Cine lenses 35mm & 85mm and a Canon 50mm f1.4.
Everything was shot raw either in 1080p 25fps or 50fps at a lower res. ProRes files were made in Resolve using the cinelog lut. The edit and grade was handled by the director. The original plan was to relink and for me to grade in Resolve but I moved to NYC recently so the director working from the ProRes files was the easiest solution.
Thanks for watching, some other stuff shot on everything from 16mm film to Red can be seen on my site: www.richardtwomey.com
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rtwomey got a reaction from skiphunt in Fashion Film - 5d Raw
This is a short fashion film that a few friends and I made recently for a graduate of the National College of Art & Design in Dublin, Ireland.
It was a non-commercial gig that we did with no money by calling in some favors. We filmed in two different locations, one in Dublin and another in Tullamore over the course of one day. A lot of the shots are available light with diff or bounce. The opening sequence in the science lab was lit with a couple of redheads and daylight. Small LED lights were used in places. It was mainly shot on Samyang Cine lenses 35mm & 85mm and a Canon 50mm f1.4.
Everything was shot raw either in 1080p 25fps or 50fps at a lower res. ProRes files were made in Resolve using the cinelog lut. The edit and grade was handled by the director. The original plan was to relink and for me to grade in Resolve but I moved to NYC recently so the director working from the ProRes files was the easiest solution.
Thanks for watching, some other stuff shot on everything from 16mm film to Red can be seen on my site: www.richardtwomey.com
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rtwomey got a reaction from skiphunt in Fashion Film - 5d Raw
Haha not really sure what's the best term for something like this. 'Lookbook' seems to get used a lot in the world of fashion. My friend (the director) and I met up one day to discuss shooting something together. He knew a graduate designer who wanted some good shots of her stuff and the rest fell into place from there.
Glad you enjoyed it, thanks for the kind words.
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rtwomey reacted to andrgl in Fashion Film - 5d Raw
Wow. The bokeh looked frosty in the forest sequences 0:32-0:42. Which lens was that?
Last sequence 1:31 on was fantastic. Like a moving baroque oil painting. That's an awesome location.
Congrats on a fantastic piece, especially on the grading.
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rtwomey reacted to skiphunt in Fashion Film - 5d Raw
I've never even heard of a "Fashion Film" Very cool concept and exceptionally beautiful work.
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rtwomey reacted to Rungunshoot in Fashion Film - 5d Raw
Love the colors of the interior portions - the blue wall against the flesh tones looks great.
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rtwomey got a reaction from Cosimo murgolo in Fashion Film - 5d Raw
This is a short fashion film that a few friends and I made recently for a graduate of the National College of Art & Design in Dublin, Ireland.
It was a non-commercial gig that we did with no money by calling in some favors. We filmed in two different locations, one in Dublin and another in Tullamore over the course of one day. A lot of the shots are available light with diff or bounce. The opening sequence in the science lab was lit with a couple of redheads and daylight. Small LED lights were used in places. It was mainly shot on Samyang Cine lenses 35mm & 85mm and a Canon 50mm f1.4.
Everything was shot raw either in 1080p 25fps or 50fps at a lower res. ProRes files were made in Resolve using the cinelog lut. The edit and grade was handled by the director. The original plan was to relink and for me to grade in Resolve but I moved to NYC recently so the director working from the ProRes files was the easiest solution.
Thanks for watching, some other stuff shot on everything from 16mm film to Red can be seen on my site: www.richardtwomey.com
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rtwomey reacted to QuickHitRecord in Magic Lantern Raw Video for Canon DSLRs
The new RawMagic automatically merges all spanned .R00 files and incorporates vertical stripe correction as it churns out CinemaDNG files, which are automatically linked to their corresponding WAV audio files when opened in Resolve. And now with Resolve 11, you can do your entire edit with your raw CinemaDNGs and then go directly to grading, no proxies necessary. Convert files, then edit, then grade -- this is about five fewer steps than it was a few months ago!