mojo43

I have used two different types of manfrotto quick release plates and they both worked well. Hey thanks for subscribing. I am still trying to see if this behind the scenes breakdowns is going to help people out. It takes a bit of time to make them... That sounds really cool. That sport is crazy! Have you tried it at all?

Thanks jonpais, I am still getting used to being on camera. Thanks for the subscribe, means a lot!

Zhiyun Crane Unboxing // How to balance // 3 tips for using in the field

Great, I have a new one on the way as well. I am glad to hear that they sorted out the screw issue. It was manageable, but nice if the issue is solved!

I don't know much about the Beholder, but from what Brandon told me about it, the Zhiyun is the way to go. I basically just put cameras on it and start flying. Also I was filming side by side with the a6500 with my a7sii and the AF on the a6500 makes it so much easier. I messed up a ton of shots because I didn't stop down enough on the a7sii and the AF fell off the subject. FYI.

I used cine4/pro for years. I just switched recently and did tests between the two. There wasn't much difference in the end. I think so long as you are manually WB then your colours will come out well. Maybe I am just not that picky either

Thanks, the a7sii has a great image. Filming in 4k with this camera is certainly a hard image to beat for something else in the size.

It was shot with EOSHD Pro Color. I am not finding that I need 4k60p a whole lot, but I would definitely use it. The Gh5 sounds like a beast. I can't wait to try it out! Have you tried using the EOHD Pro Color profile yet? The image looks good to me. Alternatively I was using cine4/pro and so long as you expose correctly or a little under with a manual WB then the image is beautiful. I am not sure if they have cine4 on the A6500?

Thanks, it was around -28C at it's peak during the time I was filming there. I went through 4 Sony a7s batteries in an hour. So pretty cold. Surprisingly the gimbal didn't run out of batteries and performed flawlessly.

Hey guys, I put together a behind the scenes video about how I film my travel videos for clients. I have been posting a few of them lately and I plan to post one every week or so. Let me know if you have any questions or comments and please subscribe if you like it!

I filmed some tests with the EOSHD Pro Color with the Rx100m5

Hi all, I shot this in Jordan a month or so ago with a Sony A7sii and a Zhiyun crane. I used two lenses, the Sony 28mm f2 and the Canon Fd 50mm f1.4. We also had permission from the Jordanian gov to use a Phantom 4 while we were there. Would love to answer any questions and if you would like to follow along on Fb and on youtube that would be great, thanks! youtube.com/channel/UCw0J_iNkme1qf2Q1nucVxJA facebook.com/joshuamorinfilm Edit: it's showing up a bit weird. Here is the link: https://www.facebook.com/matadornetwork/videos/10154847045404394/

Made a quick test today with a Sony RX100mV and some picture profiles.

So I was playing around with workarounds for the proxy problem with interpreting footage. Here are steps to resolving the issue. 1) import your footage into the project 2) create proxies 3) In bin, sort clips by frame rate 4) Select similar frame rates and change speed Voila! Hope this helps someone.

Coming from Edius, an NLE where you can drop 4k on the timeline and start editing, it is very disappointing. In terms of controls, Premiere has a lot of bells and whistles. though and I love that you can dynamic link to an AE comp. Really that is the reason why I have been using Premiere. That and my client wants me to work in Premiere.

So that would work then? I'll have to try this out.

In the project files, before putting them in a sequence you can interpret the footage to whatever frame rate you want by right clicking on them. This way if you have thousands of files you don't have to adjust the speed on each clip on the timeline.

Ya it took around an hour to queue it up in Encoder and then I went to select all of the tracks to interpret the footage to 23.976 before transcoding and it just hung for 30 minutes. This proxy workflow is really not working out.

I just tried to transcode the proxy footage. I selected all of the footage in my project (700 Gigs) and selected "create proxies" and it took about an hour to queue it in adobe encoder. Is this normal?

30fps, 59.976fps and 120fps all progressive Thanks, I actually saw this video a while back. I am not sure why I forgot. Thanks! Hopefully they will fix it in the next release.

Damn, the proxy workflow doesn't work with interpreted footage. After importing all of my footage, I interpret the footage to 23.976 and then create the proxies, but they don't match. They only come in at the native fps. Bug in Premiere I guess...

Ummm, I don't know where I said that shoot 1 TB per day nor what money has to do with anything? To prove my point. Are you saying that the amount of footage that someone shoots per day has a monetary value. And if so is there a formula for it, like 1 TB/day = $1000 I am on the road constantly and editing on a laptop lags for me using Premiere, thus I am discussing the proxy workflow.

RIght, I guess that's my problem... I usually come home with 1TB and the transcoding takes over a full day of time. I guess I need a transcoding machine. My complaint is that I don't need to do any of that in Edius. I go straight to editing.

How many terabytes and are you on Mac or Pc?

Doesn't it take a day or two to transcode all of your footage though? I know you can do it in the background, but it still takes a toll on your system when you are editing. I am just not having the same experience. Oh and what codec are you transcoding to?