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Found 3 results

  1. Please have a look at the music promo I made using a kowa 8-Z anamorphic adaptor, mounted on a voigtlander Nokton 35mm F1.2, using a Lumix GH3. I also had a Tokina .4 achromat and a Cokin Diopter +2 for the Close ups. It was all shot at night which presented problems as the Lumix isn't very good in low light. I was shooting at 50fps which reduced the amount of light I had even further. I also found that if the lens was fully open it was difficult to get a focus. Not because it was too shallow, but because it wouldn't focus on anything! As you can see I over-cranked the ISO on occasion, but I couldn't set lights up on the banks of the Thames at 3am, as we didn't have permission to be there. I wish I'd got someone to stand close by reflecting a bright torch off a white shirt though. I can only hope that I get away with the graininess in the spirit of low/no budget film making, and it looks like 16mm! Staying close to the subject, using the diopters, gave me a picture I liked the most. The bokeh looks lovely and soft and cinematic. Shots where I had to focus to infinity were difficult - the bokeh is ugly in those shots (in my opinion), taking the shape of a kind of horizontal tear. But I couldn't film the whole video in close ups! It was difficult to shot this as a one-man-band. Having to screw two different diopters on or off every time I wanted to change my proximity to the actors made it quite fiddly. I was also moving lights (I had x3 LED panels). I had some other taking lenses, but it wasn't practical to change during the shoot. Lastly, I know its normal to crop the super-wide picture you get from shooting 2x anamorphic on a 16:9 sensor, but I decided to embrace it. It's fun, and a bit silly, but its a music promo, so why not. Hope you enjoy. The track by Durlston George, his debut single, is lovely.
  2. Just put my Elmoscope II up for auction:     http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=300905958653   The Elmoscope II is a rebranded Kowa 8z /16H.   Here is a sample video I shot with this lens of me bleaching polaroids,... thought it'd be more interesting than random trees an' shit,... not that there's anything wrong with random trees an' shit,....   This is straight out of the camera,  filmed with the Elmoscope II on a Contax Zeiss Planar 50mm f1.4 set between f2.8 - 5.6, on a Lumix GH2 with the Valkyrie TZ3 Beta2 patch. 100% manual of course. No color correction/ adjustments / leveling / grading / fx other than unsqueezing in post.   http://youtu.be/K8PWJ5XSCVE   more details in the listing, but if you guys have any questions fire away :)   cheers.  
  3. Hi everybody, Is it possible to use Andrew's " 2.66 anamorphic " patch in a GH1 and get the same results as the GH2 with that specific patch? If not would you recommend a high quality anamorphic patch for GH1 ? I need to dedicate two cameras to anamorphic for our next project and we have too many GH1s siting on the shelves enjoying early retirement while GH2s are working overtime.
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