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The buskers around Shinjuku station, Tokyo, shot on an E-M5. On the wide shots the codec craps out completely, but the medium shots with some subject separation it looks OK. Terrific fun to shoot with. I might trade it in for an E-M1 regardless of what happens with rumoured firmware, just for the extra mbps. I finally worked out how to set the IS focal length correctly when using a focal reducer. I still can't get film grain to look any good after it's gone through the vimeo upload process though. This was a large prores proxy file, and in most of the shots it looks like mud.

Hi, I have a Zhongyi Lens Turbo that fits fine on my Panasonic G6, but I recently noticed that it doesn't attach to my neglected Olympus OM-D E-M5. It will sit flush in the mount, but then you can't turn it at all to lock it in place, not even a fraction of a mm. I think i've probably had the Lens Turbo a little too long to return now. It didn't occur to me to test it on the E-M5, as I've been shooting so much with the G6, and it worked fine on that. Has anyone ever experienced anything like this either with a Lens Turbo, or with other adaptors or lenses? Should I try to force

Here is a movie done with the SLR Magic Anamorphot 50, a 1.33X anamorphic lens. All the details are subtitled in the movie, here are the material : SLR Magic Anamorphot 50, 1.33X anamorphic lens 1-On Sony A7 with Konica Hexanon 40mm f1.8 pancake lens 2-On Olympus OM-D E-M5 with Nikon E Serie 50mm f1.8 pancake lens and Lumix 20mm pancake lens Some of the shots done with the focal reducer TurboLens, a cheaper version of the SpeedBooster Some of the shot done with SLR Magic achromatic diopters (0.33X and 1.3X) and Tokina 0.5X diopter ND variable filter No color correction

Hi everybody and anamorphic lovers ! Here is my 1st movie with the upcoming SLR Magic anamorphot 1.33X - 50 anamorphic lens on OM-D & Sony A7 !!! :) It's now since one week that I own the upcoming new anamorphic lens from SLR Magic, the anamorphot 1.33X - 50. It's a compact and light 1.33X anamorphic lens, working from 40mm on full frame and 20mm on M43 systems. It has the particularity of having a focus ring for close focus, it's very convenient because you can use it without diopters. Another difference seems to be the usuability of shooting at fast apertures. I even did a

https://vimeo.com/77265744     This movie has been shoot during thursday 18th of october 2013, from the morning to the end of the afternoon, bringing my daughter at school, then filming with my students at university, then taking my daughter from her school.  I'm glad to have now I think the perfect anamorphic set combination for my baby Hypergonar anamorphic lens. I bought few weeks ago a used Qioptiq C-mount lens, usually used in industry. This lens is very sharp, even at it's fastest aperture (f1.6) and this wide aperture is still usable with the anamorphic on it ! Some o