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Found 6 results

  1. Hi EOSHD community, I've been a daily reader and pretty regular commenter here over the past year, and wanted to share some exciting news. My first feature film will premiere at the LA Film Festival in two weeks! It's been a labor of love and a lot of work to get it to this point, so I'd love for any of you in the area to come out to the screening and to meet IRL. Here's a link for tickets, and the trailer's below. Also of note to readers is the many formats we used to shoot the film. Partly out of necessity, and at times for aesthetic reasons we ended up shooting on at least 5 different cameras and formats: Canon C500 4k Raw, RED, C500 HD, full-frame Canon DSLR, Panasonic GH4, and even iPhone Let me know if you can make it!
  2. Hey folks, I've been posting here for close to a year. All the while working on this project in the background. It's a dramatic coming-of age tale. We shot on both Canon c500 and Red cameras, with vintage Cooke S2 lenses. Let me know what you think!
  3. sanveer

    A7S the Killer

    I, like everyone else saw the Sony A7S videos, and was completely blown away. While it is superb strategy for Sony to COMPLETELY handicap the camera, despite its insane potential. I believe Sony will introduce this sensor in its 'F' range as well as 'FS' range of cameras, which will see its full potential. While the GH4 sensor is nowhere in the league of the A7S's, Panasonic has not purposely handicap its potential to 1/10th, to make way for its professional range, which is both respectable, as well as sensible. Right now, the A7S is something that could have killed the entire 'C' range of Canon (C100, C300 and C500), as well as many other cameras which use the small form factor. I am quite unsure of why this ridiculously unfriendly anti-workflow monster has been created. I think Sony needs to seriously re-consider undoing the handicaps.
  4. Hi!   Can someone confirm if the image quality recorded OUT TO MXF is the SAME or not when using these two different modes?   - Only MXF internalrecording to CF (1920x1080 8-bit 4:2:2)   - 2K priority mode enabled, 1920x1080 output selected AND recording to MXF internally to CF.   I am obligued to activate 2K priority in order to have the 2x MON outputs enabled (not active on "only MXF), but read somewhere that the resulting MXF signal recorded internally is derived from the 2K/HD output,whereas if using the "only MXF"mode, the signal bypass one process (Sensor->MXF vs Sensor>2K/HD>MXF).   Is that right?   Thanks Luis
  5. https://vimeo.com/58725919   Got our set of CP2 ... hope you like the video ....
  6. https://vimeo.com/55803392     Produced by http://www.Deadcatdigital.com Location: "Szimpla kert" ruin pub Budapest - http://www.szimpla.hu 11.12.2012 ISO: 2000-6000 1080i 4:2:2 MXF No color correction in post Canon EF Cinema lenses we used: 24mm T1.5 50mm T1.3 85mm T1.3 Music: Infected Mushroom-Muse Breaks RMX   [attachment=327:Canon_c500_deadcatdigital_cinema_lenses.png]
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