Django

Generally speaking, FF is going to give you lot more options. TTartisans make a 75mm f1.25 M mount lens that should suit you fine without breaking bank:

If you're looking for discrete compact street / travel cam plus shallower DOF, I'd stop faffing with focal reducers etc and take the loss and switch to FF with something like the ZR. It's ridiculously small yet has a huge display, has best lens adaptability and you get FF R3D Raw etc. Not to knock the otherwise great GH7 but it seems like the wrong tool for this particular user case.

Ah gotcha, so to sum things up: exporting individual trimmed R3D NE clips fails, not rendering a full edit?

Wait so Resolve can't export trimmed R3D NE clips?!! You have to transcode to h265 before editing?? If so that's a major issue. I don't understand the workaround of "edit your project straight from the CFExpress card"? As for h265 I think it mainly has to do with the super low variable bitrate which is probably to keep thermals under control, however according to Bloom's review the ProRes HQ displays similar softness which indicates the built-in NR is set way too high. Nikon needs to give ZR some NR settings to get detail back in compressed codecs.

Faster than what? Only downsides for longer shootings I can think of is the r3d code file sizes, h265 is sorta unusable..

Yeah good move approaching indie RED shooters rather than your usual hybrid / YT influencer. Great review with strong footage. More I think of it, ZR is the perfect travel cam, street shooter.

I think Canon are quietly killing it right now with specs, finally feels mature and cripple free. But the build quality of the R line still feels very consumer grade: lots of plastic, light mounts, and that “electronic toy” feel that’s hard to unsee once you’ve handled something like the Sigma BF with its heavy yet compact unibody and metal primes. That said, this new RF 45 mm f1.2 feels like a sign of change. Still cheap construction but it’s the first affordable RF lens that borrows optical ideas from Canon’s EF L glass, chasing character over sterile sharpness. I'll give them props for that alone while the competition chases optical perfection & digital correction.

There are already C50 vs ZR, FX3, S1ii videos out there and the R6iii uses the same sensor as C50 so that'll already tell you quite a bit. Z mount adaptability is definitely what's making me consider going Nikon. If I go with the ZR I would get the megadap for Sony & EF lenses. This short test seems very positive about EF glass on Z body: On the other hand, if I go R6 mk3 I'd probably dump my 50mm f1.2 & 35mm f1.4 and go with the RF 45mm f1.2. Gaining open gate is huge and its a true hybrid with EVF and mech shutter so that's where I'm leaning atm.

Yeah I totally get you on the C50. Without IBIS it’s a tough sell for any hybrid or handheld doc setup. Such a shame because that form factor is so right otherwise. I’m actually the opposite on shooting style these days. My eyesight’s slipping a bit, so I rely heavily on the EVF for framing and just use the rear screen for settings and quick checks. In that sense the FX2 body design is near perfect, that tilting EVF paired with the big6 menu on rear display is brilliant. But they completely wasted it by putting that old slow A7 IV sensor inside. The rolling shutter kills any handheld motion, which makes no sense for a cinema body. That’s also why I have low hopes for the A7 V. Sony can’t risk undercutting the FX2 and FX3, so I doubt we’ll see internal RAW, open gate or even 6K/8K included. They’ll probably save that for an eventual FX3 Mark II. I’m still keeping an eye on the ZR though. Bloom just dropped a lengthy review yesterday and his conclusions matched what I felt in my short time with it: gorgeous display, excellent RAW image quality, but odd handling and UI, plus that horrible baked noise reduction that makes the compressed codecs look soft and full of artifacts. It’s a fascinating camera, but definitely one that still feels like a work in progress. Canon’s not perfect, hardware is dull but at least with the R6 III they’ve finally built something balanced and forward thinking at a realistic price. In many ways it totally outperforms the much more expensive R5 mk2 which is a complete change in strategy and a good one.

The R6 Mark III has IBIS, so that point’s off. Canon’s lineup is just segmented now: the C50 is the pro cine body, while the R5 and R6 series are prosumer hybrids. I’ve tried both the ZR and R6 (mk2) back to back. The ZR looks cooler and that big screen is gorgeous, but ergonomically it’s kinda average: very thin, shallow grip, no EVF, cheap buttons and a menu system in dire need of a revamp. Lack of DCI, open gate and meh exposure tools on the ZR is what bugs me most. Overall I still really like it for its streamlined compactness and big display but it's clearly a first gen product. The Canon feels faster, more natural, and better balanced once in hand for hybrid usage. That said I admit the R series design language has zero mojo compared to the cine oriented C50, FX or ZR, but the R6 III is far from crippled. It’s balanced, feature complete, and a solid proposition in today’s mid tier hybrid market. The real genius move I think is launching it alongside that super affordable 45mm f1.2 where other brands keep pairing slow zooms as their kits. Side note but speaking of sex appeal the camera that really had me drooling at the shop was the Sigma BF. Totally unpractical form over function design but that heavy solid unibody paired with minimal clever UI make it one of the most unique and oddly inspiring designs in recent times.

The ZR is still a beast. That big screen, 32 bit audio and R3D workflow are seriously impressive, but it’s video first and still has a few UI quirks. The Nikon/RED partnership still feels a bit first gen. The R6 Mark III just feels more balanced, yet flexible enough to deliver cinematic footage straight out of the body with many C50 features/sensor ported over. A bit like the 5D mark3 with ML Raw, this feels like they struck the perfect balance. You can shoot open gate h265 for social or RAW for high-end delivery, switch to the mechanical shutter for flash stills, and color match Canon’s C line with zero hassle. Paired with the new 45 mm f1.2 STM, it’s a setup that really nails what I want in a hybrid rig. As a shooter who still swears by my old EF 35 mm f1.4 and 50 mm f1.2, this combo really speaks to me. Could probably now trade those lenses in for this new setup. The fact that the whole kit comes in around 3000 euros is kind of wild for what it delivers. For me it’s not about beating other systems, it’s just the first Canon in years that feels genuinely right for how I shoot. I'll give it a few days to sink in, Nikon Z mount holds the advantage of being able to adapt my EF, Sony E & Leica M glass all with AF which is something big to consider but its hard for me to dismiss open gate value in 2025 moving forward.

Well yeah the lack of a fan isn't going to give you unlimited thermals in the most demanding recording options but I find it quite acceptable (above reviewer got almost 2 hours in 7K RAW Open Gate 30p) and unlike the ZR the h265 is actually very usable here with constant bitrate oversampled 4K. If you add open gate, 4K120 no crop, mech shutter and EVF, it seems to me like the better hybrid choice. ZR is still fantastic considering its compact size, R3D code, 32-bit float and 4" display. It's just nice to see Canon holding no punches in this mid-tier market! I'm still undecided, I hope this pushes Nikon to add open gate and more RED tech like traffic light system to ZR via firmware.

Just when I was about to pull trigger on a ZR, Canon drops this bombshell: Canon EOS R6 III Key specifications 32.5MP full-frame CMOS sensor Built-in image stabilization rated to 8.5EV 40fps burst rate w/ pre-capture 3.0", 1.62M dot fully-articulating screen 7K recording up to 60p (Canon Cinema Raw Lite) Oversampled 4K <60p, 4K 120p with audio Q&S mode dial 3:2 Open Gate recording up to 30p $2799 / 2899 € ..and it doesn't stop there, Canon is also dropping a 45mm f1.2 STM lens.. for $470 / 445€ !

I initially dismissed the Nikon ZR. The compact body and odd I/O layout made it seem like a prosumer crossover rather than a serious tool. After spending real time shooting with it, that impression completely changed. The huge integrated display transforms the experience. It feels intuitive, immersive, and for the first time a Nikon mirrorless seems built for video operators. Pair with a Leica M lens and it delivers this uncanny mix of smartphone agility and FF cinematic depth, a combo that feels surprisingly liberating (think sigma FP but with IBIS). The body is metal and feels rock solid. The flip out screen isn’t ideal for low angle work, but that’s about the only ergonomic miss. The stills side remains capable and thoughtfully separated from the video mode. The redesigned video interface finally feels modern, with waveform, quick exposure tools, and four customizable banks all within reach. The main system menu still feels like a maze, but the dedicated video page is a major step toward a proper cine oriented workflow. I just hope Nikon will pull more from the RED side (traffic lights, open gate, 17:9 etc) in a firmware update. Despite its understated design, the ZR stands out as Nikon’s most forward-thinking hybrid yet. The 32-bit float audio, internal R3D recording, and that massive touch display all combine into a package that feels disruptive and modern at a mid-tier price point. Haven't been this tempted by a camera in a while.