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TSV

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Posts posted by TSV

  1. I just received my Konova K2 to go alongside my GH4 and its 12-35. And while I have a lot of progress to smooth up my pan, I realised that even after making sure that everything is tight, my videos are a bit shaky (you really need to pay attention and look on the image corners to see it) and I was wondering if:

    1. It is because of my lack of skill and because I am a newbie with the K2 or

    2. It is normal and I need to use IS.

    Any thoughts? 

  2. Next time upload it to vimeo/youtube.........

     

    Without even watching the video it's more than likely the image stabilization feature in the lens you are using, turn it off and try it again. If shooting on a tripod or any for of stabilized gear make sure you turn the OIS off on your lens.

    ​Next time I will do that (YouTube), but I wanted here to let you see an unaltered version of the video. But no, I never turn on OIS on my lenses since I am shooting on a Tripod, and the problem is ONLY located on part of the image. In my case think about a Forest where only a bunch of trees are jumping while the other trees are standing still. 

  3. Hi Everyone,  It's been a while. 

    I have a weird problem with a video a shot with my GH4 and 12-35mm. I took this video a long time ago and just realised this today. As you will see on the video below 

    https://mega.nz/#!q5NlzA5S!Z5pnAiCbISlsuaMS-U_MUnICZVZf3lj61Neimt7qSXw (select : Download through your browser)

    Part of the video is "jumping" and I have NO freaking idea why? (If you look on the right side of the cloud formation you will see part of the forest and trees jumping). No other rush have this problem and I took this video early January and never faced this problem again. But WTF is that? Any ideas?

    Cheers

  4. I am not sure you would be able to capture fireflies in such little light. I am guessing something at much higher ISO with an even faster lens might help.

    Most cameras may be able to record the glowing/blinking dots. But because of the low light around the firefly, you may land up with no details at all.

    Maybe you hire a 5Diii/ A7S and shoot atleast at 6400/12800 with a 1.4 lens.

    Many years ago I caught many fireflies im matchboxes and then transferred them to a large glass bowl. They were magical. I don't think anyone should such terrible things though, amd they must be observed only in their natural habitat.

    Btw I am very curious to see how this ends up looking. Pls post as mamy videos from the final shoot as possible.

    Best of Luck

    ​I want to shoot in 4K so MKiii out of the equation, the A7S and Sogun will cos me a leg here to hire... :(  I should get one of these F0.95

    voigtländer lens sooner than later then, but the 10mm is not available yet.   Anyway I will give it a try. 

    I am guessing when the fireflies come out it will be pitch dark right? Lit only by moonlight, if that?

    ​Most probably. 

  5. One more questions for you guys/girls.

    Hotaru (firefly in Japanese) always offer some pretty nice show for the person willing to stay hours outside in the dark. I want to give it a try and I would like to know how to make this possible? I will shoot these little bugs with my GH4 and the fastest lens I have today a 15mm Leica F1.7. I will not exceed ISO 800 since it will be rubish on the GH4, but is there anything else I should do/consider? Moving away from CineV to CineD for this shoot?

    Any kind of help (include prayers or sacrifices) are welcome. 

  6. ​Thanks, I will try that, but I´m not sure I get you quite right: Do you mean setting HDMI out on the GH4 to 4.2.2 10 bit and keep it there or GH4 to 4.2.2 10 bit and switch back to 8 bit?

    I meant to keep it on 8 Bit​

     

    ​Hm, does not work either. I have send a mail to Aputure support, - will see if they come up with a solution. Will also try Tom Antos.

    ​Arghhh sorry to hear that. Good luck and let us know.

  7. I am uploading 2 new more video (Skin tone)... It was taken with what JVC recommend for M43 lenses an Olympus 12-50mm 3.5-6.3. ISO was at 640 each times and at F7.1.

    https://mega.co.nz/#F!vw1D2ThD!Z1sNqpoujmjrng4ePpHFEw

    I will take some low light videos tonight before I send back the camera.

    My final thoughts are pretty much the same. This camera will give you great videos if you are fully controlling your environment (Lighting and such) not that good for a "Run and Gun" Camera. 

    The menus and UI is so 1999, the LCD and Viewfinder is really bad, missing so many things that could help you shooting a perfect video like a better EA meter and even an Histogram. Again Sold a 496,800 Yen in Japan (Above 4000 USD) I would definitively buy something else like a pair of GH4 or A7S with a Shogun, or... an URSA Mini 4.6?

  8. ​the sensor is s35 on this so will give you a wider fov than the gh4 from the same lens.  It also sounds like there is a feature which maps the image circle of a lens and crops in to accommodate - since it's a s35mm sensor in a m4/3 mount, maybe this is to accommodate the fact that users might use m4/3 lenses with image circles not capable of covering s35.

    ​Hi

    You are talking about the VSM, where indeed you can "Crop" to match your M43. But I was not expecting (even with the camera set to M43) that it will give me a wider view. This is actually a good news ;-)

  9. Hi Everyone

    I just uploaded a few more videos. You have all de details in a TXT file which will give you the details on each files 30 or 24p, shutter speed, ND or not, ISO...

    https://mega.co.nz/#F!eg1TXKLL!WBv81oNbDStmsc0rYvkPtQ

    I will try to shoot low light video, skin and rolling shutter soon.

    Also, you will see a "BAD" tag on two files. This tag mean that despite having on the LCD everything perfectly done (AF, Zebra and so on) the result was disappointing.  

    So far there are a lot of thing that I like on this camera and a lot that I do not like (50/50). I like the fact that you can set a limit on the low and hight aperture range. For example on my 12-35mm I set the lower limit to 2 and the upper limit to 8, since I know that above F8 my lens really sucks (Diffraction). Another thing that I noticed and I will need to test it again is that the LS300 seems to provide a wider zoom (with the same lens) than on my GH4... I will try this more carefully tomorrow, but each time I had to significantly move the LS300 toward the subject in order to achieve the same result as my GH4 was offering.

    Finally, and I will go on in details soon on this, but the LS300 give an impressive result in closed environment when you have full control on the lighting and so on. Outside and on the go the LS300 is much more difficult to master and the LCD monitor and viewfinder really does not help.

    Cheers

  10. Not to happy with the quality of the Gh4 so far shooting at ISO 800 or 1600. Any advice or reliable link on an article about settings on the GH4 , I have been Googling and got very different opinions.

    thanks 

    ​I love the GH4 and use it everyday, but it is just terrible above 800. The best is to get a fast lens.

  11. TSV I belive you made a mistake on your sentence  , il shooting with the Gh4 with a 14-35 lens it works well.

    im planing to shoot with the ronin and Gh4 and  my iPhone 6 attached using the Panasonic App to focus. Have you tried that ? I have been training :) and so far it works well. I made some test and I belive I can shoot at 800 ISO although I'm not really impressed with the quality shoot at 4 k. Please any advice on the settings ? 

    ​The Ronin (not the M) will not offer you a silky smooth stabilisation with just the GH4 and your lens (12-35??). It will stabilise it yes, but not perfectly smooth like you can see on YouTube or Vimeo. Put a heavier Camera on the Ronin (MKIII and 24-70) and you will have silky smooth video. Believe me I tried for 3 month with different settings and cameras. I ended up selling it to a guy who shoot with RED and he had a flawless experience with my Ronin. 

  12. @The Chris:

    I could go to $1.000 if necessary, but if I could keep it lower, that would of course be nice. The Benro S8 is too big for my needs. Furthermore - according to my research - it needs more weight  than my gear will ever weigh to be correctly balanced. The same goes for the Manfrotto 504 HD, - too big. And for some reason I don't quite have confidence in the smaller 502.

     

    ​I own the Benro S4. It is an "OKish" tripod in windless conditions. Put some winds (even a tiny bit) and a telephone (35-100) and you can forget about having a stable shot (even OIS Turned on). Same goes for any tiny vibration around = Having your tripod on a wooden bridge of floor with people walking around and you are XXX.

    Good luck

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