carlmart

Even if I have two video cameras, I'm pretty much interested on serious mobile phone shooting and editing for pro applications. Is there a specific forum here or elsewhere to go discuss there matters? No sub-forum here for now, apparently.

Do not use Chrome, prefer Mozilla. In any case on-line translation usually gives just an idea on what's being said, inaccurately quite often.

Pity it's in German with no English version... :(

BMCC? Blackmagic Cine Camera, the first one 2.5K type that started the trend.

Can you explain a bit more on which anamorphic converter did you use, on which lenses and else? I'm relatively new to anamorphic in video, particularly optical converters. How you desanamorphize it during edit?

Pity the Blackmagic 2.5K camera was not part of this comparison. I would love to see the BMCC final ratings, compared to the Canon 5D III, both shooting RAW. Perhaps there's such comparison somewhere?

Please allow me to hijack my co-terranean's thread, because he and several others raise issues I'm interested in. I come from film, so I do have a good base to deal with video issues, which still fall short when compared to film. Even Arri or Reds or whatever fall short from film, but video IS more practical and these new cameras are a fantastic tool for independent filmmakers. The now more available RAW choice has even shortened the distance between many photo cameras and the Big League (Arri, Red, Sony). First of all I wonder why it was recommended to stay away from the BMCC and what vid

The starting lens I was thinking for the BM Pocket was this one: http://www.bhphotovideo.com/c/product/835398-REG/Olympus_V314040BU000_12_50mm_f_3_5_6_3_ED_M_Zuiko.html Any comments for or against it? Anything close/better in price and/or quality to recommend? Not in S16, but in plain 16, perhaps one of the best deals in lenses was the Angenieux 9.5-57mm. I think someone did try it in the Panasonic GH2, but I'm not sure if people are using it.