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nahua

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Posts posted by nahua

  1. BOLD, I really salute you on this project.  I've been sitting on mine for awhile.  It's the focus and the handling that's just killing me.  And it's harder now that there are other single focus options available.  I hope that you can make something that really works.  I'll definitely buy the adapter, especially if you can 3D print it.

    Here are pics of how I have mine mounted.  It's so hacked I don't know what to say.  It's definitely not stable, and I have a hard time with the follow focus too.  But the images are great as are the amazing flares!

     

    2015 FM x SLR x Kowa x BH x Iscorama - 0011.jpg

    2015 FM x SLR x Kowa x BH x Iscorama - 0013.jpg

  2. You need to understand which anamorphics fit an aspect ratio.  2x anamorphics are made for 4:3 size FILM.  When unsqeezed they come to 2.39:1 with the audio strip on the side.  However on digital cameras, 4:3 comes out to 2.66:1. 

    The majority of digital cameras are 16:9 format.  So a 2x anamorphic will result in a 3.55:1 ratio.  A 1.33x anamorphic will result in a 2.40:1 ratio.  In any case, cropping of the image will be necessary to achieve the "normal" widescreen format of 2.39:1.

    Only a few digital cameras shoot in 4:3 - Panasonic GH4, Magic Lantern hacked Canon DSLRs, maybe Kinimax Mini, and Alexa RT 4:3.

    In the end you have to decide what look you want.  Like Ken said, 2x anamorphics have the desired look or "character".  1.33x anamorphics are more like regular video but easier to work with.

    For more info join the FB group - Anamorphic for Dummies:

    https://www.facebook.com/groups/788527101229524/

  3. These are commonly referred to as rainbow flares.  They are part of the character of an Iscorama and other anamorphic lenses.  Usually depends on the taking lens, and it shows up with single or non-coated lenses.  Not sure why you'd want to remove it, and the only way is to not shine a light at the lens or basically not have any flares at all.  Otherwise I advise you to get an Isco Ultra-star anamorphic projector lens or some modern multicoated lens (MC).  Then you won't get any flares but have the anamorphic stretch.

  4. Testing out the new SLR Magic Rangefinder with the Panasonic GH4 4K 4:3 mode with the Kowa 2x Anamorphic lens.  If you've been on the fence, your wait is over.  I highly recommend the Rangefinder as a single-focus solution to Anamorphic adapters.  

    Here's another longer video showing off all the flares of the Kowa 2x Anamorphic.

  5. I'm starting to agree with you Rich.  SLR Magic just doesn't get the characteristics of anamorphic.  But we are lucky now with so many choices for 1.5x and 2x anamorphics.  If they had come out with their 2x maybe last year, it would be different.  I'm planning to get rid of all my SLR Magic lenses.

  6. Finally finished my short film Dueling Alphas.  Shot on GH4 4K 16:9 + Iscorama 36.  For all the details including BTS and pictures, please visit the website:  http://www.duelingalphas.com/home.html

    Short movie description:

    Dueling Alphas is about two rivals. Both women are Alpha types - strong, determined, successful. One the Powerbroker, the other an Artist. They meet for their pool "match", but it's more about matching wits. Who will beat the other, in the match and their competition of life?

     

  7. Considering your limitations, I think you did a good job.  A6000 is probably one of the best little HD cams.  Slo-mo looks good and used sparingly.  Color grade works for the gritty feel.  Pacing seems good too.  Didn't feel like 5min film, felt much shorter.  Good thing because this could have dragged like some other short films.  Sound is good and gives a good sense of unease and the whole "apocalyptic" feel.  I think you had a good sense of what you wanted, and then shot it very well.  Edit, sound, music is all good!  Be nice to see it made into a 30min short.  Maybe on the lines of the STALKER PC game or something.

  8. I've kept mine, it works nice with the nikkor-p 105 2.5 2.35:1 on FF and is perfect for vintage portraits, it's just terrible to have people waiting until you got double focus working so this works okay, it gets sort of sharp when stopped down.

    ​It's single focus though.  Set your taking lens to infinity and just turn-turn-turn that front into focus.  And I mean turn - like 20 turns from infinity to close-up.  LOL

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