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Andrew Reid

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Everything posted by Andrew Reid

  1. Who displays the same image on their camera screen for 36 weeks? And on which battery?! I am sure the screen changes enough... Just going into the menus once in a while clears and then changes the onscreen icons. There is also a pixel shift method to stop OLED burn in.
  2. IBIS is great for handheld work in my opinion. I don't know why people expect it to replace a gimbal though. Isn't it great enough to be able to take the jitter and hand shake out of a steady handheld locked-down frame? I remember the time when a tripod or shoulder mount was necessary for just about anything. We are getting spoilt!
  3. Andrew Reid

    Lenses

    Looks a lot better in black!
  4. Yes I'm afraid she is coming out again All I know is that I can see the image on my S1H screen outside, but not my Pocket 4K I don't even think of it as a complicated issue. Grant picked the wrong part on Aliexpress. Of course it;'s doable but is it necessary or even pleasant and by the way how's your back afterwards?
  5. I completely agree. Laughing my head off but nodding along as well. It's the height of irony. Just as Canon suddenly wake up from 8 year sleepy time, Sony doze off into 8bit slumberland and awol products. A7S III if it ever comes out now has to outsell a Canon body with potentially superior specs, rather than the usual crippled one. Even when Sony had far better specs had trouble outselling Canon! There are still two ways this could play out in 2020... Sony A7S III comes out with moderately what we expect... 4K 60P, 10bit, Venice Colour science if we're lucky, better EVF and screen, Z battery, and a few tweaks to the menus. Canon EOS R5 shoots 8K but cripple hammer hits it and it doesn't quite do 4K 60p in full frame, or there is a codec problem, no 10bit, or rolling shutter is so extreme it makes the leaning tower of pisa stand upright. The other way is this... Sony A7S III is also 8K, with superior specs to the Canon R5 and R6 But R5 and R6 don't hold back, go all out as well, with internal Canon RAW on the R6 like the 1D X Mark III has. In this situation Sony is also going to find it difficult. The third outcome is less likely and that is that Sony A7S III is a total revolution with eND, new form factor, low price, internal compressed Sony RAW codec, 8K and quad bayer 4K 120fps. Bonkers specs and all the Sony foibles gone. Totally new menu system and colour science revolution. (haha not going to happen) But I am starting to think that's what is needed.
  6. OK let's look at it this way... They do 4K 60p RAW, USB SSD recording, full HD 5" screen, CFast, BRAW, Resolve for free, anamorphic updates and then... Go and let it down by using the wrong BATTERY?! And forget that people need to be able to see the screen IN DAYLIGHT I still think this was Steve Jobs real genius, forget the creativity, the ideas and the founding of Apple... It was his ability to see the BLOODY OBVIOUS and call people up on it before it was too late and the product was out. According to GlassDoor, Grant Petty makes all the decisions and no department moves an inch until he signs stuff off... So there you go... Somebody take Grant out on an actual shoot with the Pocket 6K and get him to realise what a pigs ear it is to use, then maybe, just maybe, Pocket 8K will have a proper battery and LCD backlight in it.
  7. It shoots semi-LOG! Good for all those Instagram filters. Mate 30 Pro... 40 Megapixel quad bayer sensor... How do you think ISO 1600 looks with all those megapixels on a phone? Well, quite good actually 🤯 Pixel peep it full screen - Where is the traditional smudgy noise reduction?! The fine detail is intact and I don't know how they achieve this. You guys are going to wish your President hadn't banned it
  8. That is seriously impressive. Useful! And USB-C charging Makes a good camera even better, even if it is still fundamentally 90% a 2016 model I may sell my E-M1 X and E-M1 II and just get the Mark III. Wish they'd put a new EVF in there though, 10bit and anamorphic mode. Maybe Panasonic do their firmware and said "no" 😂
  9. Engineering challenge Problem = Battery life is atrocious. Solution = ??? Engineering meeting at Blackmagic = ?????????? CEO of Blackmagic = ????? You're promoted Outcome = Battery life is still atrocious. Actual solution = A larger and better battery! Who would have though that? Certainly not normal people like me, way beyond my intelligence. Bonus information OLEDs are actually far more power efficient than LCD. No backlight.
  10. If anything is doing weird AI upscaling it is the iPhone! (Mate 30 Pro left, iPhone 11 Pro right)
  11. Very heavy crop... looks good for a phone, to me
  12. Pop-up EVF aka RX1R II and for the other feature the hint is in the lens used to take this...
  13. To be fair to Canon... (and I am the first to call them out over hype) This time they do genuinely deserve some credit. First the 1D X III and now this... The first ever full frame mirrorless 8K camera. And a big shift in policy to maximise video on their stills cameras, rather than protecting Cinema EOS lineup. This part is not hype. Internal RAW and 10bit on the 1DX 3 is real. EOS R5 will surely get a high video spec as well. There is always the usual hype from the usual suspects when it comes to any manufacturer. At the moment it's worse with Sony people.
  14. How is that offensive? Pointing to a spare part on ebay? You are a very weird man 2018 standard was the iPhone X with HDR OLED panel, very bright and visible outdoors. Samsung S7 AMOLED is from 2016, would be a massive improvement on what Blackmagic provides in 2020 on the Pocket 6K. All I am saying is.... It's a joke. An absolute joke. We are being diddled or they don't know what they're doing, one of the two, or even maybe both!
  15. Canon were first to 4K in a stills camera as well... 1D C in 2012. Panasonic we tend to appreciate because they are first at accessible prices. Sony are usually second with even better specs, but lately seem to have forgotten whether the accelerator pedal is on the left or right of the car. Canon clearly had the technology for 4K from an early stage and it seems they have repeated same step up with 8K, early too. Being "early" isn't often associated with Canon, but R&D department seems to go a lot faster than the marketing and actual camera releases seem to suggest. The big unknowns are: 4K crop factors and frame rates Internal RAW or not? 8K rolling shutter and frame rates (as well as any crops - could be 2.35:1 for all we know) In what modes Dual Pixel AF works and when not Spec and pricing of R6 (if it is 1D X III video spec and internal RAW I would go for that over 8K instead, even if more expensive than the R5) Codec type, bit depth and bit rates There are MANY areas where the cripple hammer could come out but looking at 1D X III which was remarkably unscathed, unusually for Canon, it bodes well!?
  16. Surprised Blackmagic haven't considered the screen from your Alcatel yet Samsung S7 screen costs $50 at retail if bought in bulk, far cheaper for Blackmagic if you are ordering 1000's in a business wholesale arrangement. https://www.aliexpress.com/item/4000046577679.html?spm=a2g0o.productlist.0.0.7fc822667Gjhv8&algo_pvid=2b301ae6-b9d3-45b6-ab7b-e8631e2ea891&algo_expid=2b301ae6-b9d3-45b6-ab7b-e8631e2ea891-9&btsid=0b0a050115816967028701506e0e24&ws_ab_test=searchweb0_0,searchweb201602_,searchweb201603_ Specs: 2560x1440 5" AMOLED At least 900 nits So why are we stuck with the horseshit that is the Pocket 4K and 6K LCD panel?
  17. The iPhone 11 has a bog standard LCD panel with no HDR. The iPhone 11 Pro is the one i am talking about http://www.displaymate.com/iPhone_11Pro_ShootOut_1P.htm This is a modern high end smartphone screen. This is what cameras should have. It's that simple. It shouldn't be that your $800 smartphone has a better screen than your $2800 cinema camera.
  18. iPhone 11 screen has a peak nit brightness of 1290 in HDR. http://letmegooglethat.com/?q=iphone+11+nit+brightness
  19. I've spent weeks wracking my brain on how Matt Granger made it to 661,000 subscribers And I just can't possibly figure it out. But it has happened and Matt is one of THE authorities on cameras. Although sometimes he gets confused about the concept of a mirrorless camera. "It shoots up to approximately 20fps with the mirror up" THIS explains everything, including why I always had problems with that imaginary mirror in my GH5, it always seems to stay up out of the way and never make that satisfying flippy flippy sound. Then it REALLY got me fhinking... why is it called a mirrorless? The world is a really weird place, very confusing. So I often turn to YouTube for the sheer quality of talent on there and the expertise to enlighten me in dark times... With the gift of knowledge. In fact I envy the man. He is one of the biggest and best commentators along with the Northrup's and their whiteboard. Who can say they don't deserve it.... The 5 minutes he spends quibbling over the difference between 19.1fps and 20fps is pure entertainment. I have subscribed and smashed the notifications button.
  20. Matt Granger is a Sony shill and he looks like he's shit himself. Not even sprinkling porno into his videos will save him now. He's headed for the dustbin of irrelevance along with his A7 III.
  21. Especially after so long telling customers that 1080p is good enough and they don't need 4K! As U-turns go it's pretty huge.
  22. The display on a modern smartphone (very high nit and OLED too), costs in the region of $80 https://www.eetasia.com/news/article/18032605-galaxy-s9-plus-dissected-bom-revealed Although this is mass produced in very high quantities and in-house at Samsung, a big part of that cost is down to it being cutting edge and curved at the edges, custom made for one product and not an off the shelf part. All we ask of the Pocket cameras is a brighter panel - not even OLED and certainly no need for curves or cutting edge manufacturing. Even if you double the cost of the display, you're probably not going to have to raise the price of the camera significantly in order to absorb the cost at retail... Perhaps by $50. And your sales will go up because it's a better product you're giving people. Blackmagic has plenty of suppliers in Asia that can provide them with a good enough screen. Look for one yourself and tell me the price, you may be surprised at what you find. The more you order, the lower the price, so factor that in too. Order a batch of 1000 and see how the price falls. I just don't think it was ever a priority to see the Pocket's screen in daylight, the thought didn't pass between the ears of Blackmagic managers. It it were a high priority, they'd have spent the dosh and sorted out the problem. Instead we have a near uselessly dim view of our image outdoors. And we're stuck with it on both the 4K and 6K, nothing changed in-between to justify the doubling of the price (apart from the new sensor and lens mount). Does Blackmagic's office have doors without hinges and they climb through cat flaps? Common sense doesn't seem to be their forte. Otherwise said screen would also have a hinge like in the DIY mods. As the old saying goes... if you want something doing properly DO IT YOURSELF
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