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My cameras and kit

Found 5 results

  1. £5700 Selling this beloved camera since I am no longer in the film business. Ready to shoot - great condition. Went full maintenance in February of 2017. 368 hours with no faults. Ready-to-shoot. Selling with a camera cage - cam tree hunt with a focus pull, so you can mount and go on a shoot right away. Original price of the package $19,000. Package includes: SCARLET-X with EF Mount RED PRO SIDE HANDLE RED TOUCH 5.0" LCD 2 REDVOLT BATTERIES with charger RED STATION REDMAG 1.8" 4 x REDMAG 1.8" SSD 64GB CAMTREE HUNT CAGE with high grade swing away matte box/durable follow focus and rock solid camera cage with accessory mounting options (unassembled). V-mount plate for V-mount batteries (batteries not included) AC plug charger Located in London. Can deliver throughout UK.
  2. Hello everyone, My name is Gleb, I'm starting a production company to shoot feature films, and commercials / music videos on the way before that. For my camera package for the first 2-3 feature films I'm going to buy GH4 as the camera body (Now have 2xGH3), and after I will have a transition to BMPC 4K and then to RED Scarlet / Epic Now I own a speed booster alternative RJ speed booster (Nikon mount) And was thinking about the idea of buying a full Rokinon cinema lenses set (Nikon mount) Than use it on the RED scarlet before buying better primes, but than I will not be able to have my middle switch from GH4 to BMPC 4k. 1.) So is it better to buy all lenses EF mount and buy the EF speed booster and than EF mount for RED cameras, or buy Nikon to EF adapters for the BMPC 4k? 2.) Another idea was to avoid speed booster and by ROKINON lenses in MFT mount direct, to partially avoid the crop factor, and after 2-3 films sell the full kit and buy PL Primes for BMPC 4k and then move to PL RED? 3.) For our second feature film we are planning to shoot anamorphic x1.5 adapters style, any ideas on working (Anamorphic / Rokinon / Speed Booster / GH4) or avoiding Speed Booster will be better? 4.) Buy one vintage PL zoom lens and a PL adapter for GH4? Any lens suggestions in that case please. Now I have only 2 nikon zoom lenses to use with my speed booster and I can sacrifice that if needed. Thank you for your answers!
  3. - Red One Mysterium-X body - PL Mount - Nikon Mount - 6x 16GB Red CF cards - Red SDI HD adapter - Red Pro LCD + cable - Magic arm - Red Cradle - AC adapter - Top handle + rails The camera doesn't have any problem. Has low hours (I think around 600h, but I can confirm it). It's located in Lisbon, Portugal. Price: 3500€ + shipping Email: [email protected]
  4. The package includes: - Red One camera (around 300h) - PL Mount - Red Cradle - Red Pro LCD (has a small mark but works fine) + cable - 2x Red Drives (640GB and 120GB) + cable - Top handle and 2 rails The camera works fine but when is powered continuously for 7/8 hours some small red dots start showing in the image. I heard this is normal, it's due to sensor overheating. It was never a problem for me because I use it for 2/3 hours continuously maximum and then I turn it off to change set or batteries and the red dots never show up. The camera is located in Lisbon, Portugal. Price: 2500€ + shipping Email: [email protected]
  5. My short film, which I produced and directed for Red 5 Studios and Continuum Films, got published yesterday. The film's executive producers are Mark Kern and Cindi Rice. Mark posted some months ago on reduser about his ambitious project of funding short films (check out the thread). Only request for getting the funds was that the film has to be interesting for gamers (and of course the script and the showreels of the director and DoP had to be approved). Nowadays, views on youtube are a currency. I do have a great new film project which I want to shoot for stage5, but to get the funds, this first film has to be successful. So please have a look at my film "Partner" and, if you like it, share it with your friends. http://www.youtube.com/watch?v=PrG8Y3N4_Qs&feature=share&list=PLlfX4F00N7cuTA3E5Ew33yE_DInODzztN   We shot the film on a RED Scarlet with Nikon AIs lenses. Colorgrading was done in Resolve.   If you have any questions about the production, filming in Berlin, what gear we used or the post production process, go ahead and ask :)   Cheers David
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