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UnFstudio

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About UnFstudio

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    New member

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  • Gender
    Male
  • Location
    Los Angeles
  • Interests
    Soviet Filmmaking, Cinematography, Feature Film Production

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  1. Hello my friends, Thank you so much for the participation in the discussion that I started a couple of weeks ago. Andy Lee - thank you for making me think a bit different "Out of the box" in terms of the focal length of the lenses for my feature. I have just wrapped a film in a ghost town Randsburg, CA. It was fun to be in a middle of nowhere for a week and I had time to think about cameras and decided on skipping the GH4 and moving straight to ordering a Black Magic Production Camera 4k in PL mount. Both nikon lenses that you recommended me - the 28-70 and 80-200 Nikon with To
  2. Hello again, Andy Lee, thank you for sharing your knowledge with me, the breakdown of the lenses used by feature film DP's and Directors is a great help to me and our decision! Tomorrow we have a studio production meeting and we are going to discuss the camera package for the feature film, The body still remains MFT Lumix GH4 The lenses we are going to buy are as you suggested, but with an add-on, so it look like this: Nikon 28-70mm f/2.8 AF-S ZOOM-NIKKOR (2007) Tokina 11-16mm f/2.8 AT-X Nikon G to Micro Four Thirds Speed Booster (To use it with the aperture ring on the Tokina len
  3. Hello everyone, Thank you so much for your participation, Special thanks to Andy Lee and his overview of the Nikon lenses used on Bourne Ultimatum. I did a research on both lenses: Nikon 28-70mm f/2.8 AF-S ZOOM-NIKKOR (2007) Nikon 80-200mm f/2.8 AF-D NIKKOR ED (2007) (Both are great glass) and with your idea of using it with 77mm wide angle filter x0.45 was the one I found it makes it a very interesting crop factor Originally GH4 in 4K mode gives x2.3 crop With a focal reducer it will become x1.7 crop And with the wide angle filter of x0.45 it is going to give a x1.25 crop (Now
  4. Hello everyone, My name is Gleb, I'm starting a production company to shoot feature films, and commercials / music videos on the way before that. For my camera package for the first 2-3 feature films I'm going to buy GH4 as the camera body (Now have 2xGH3), and after I will have a transition to BMPC 4K and then to RED Scarlet / Epic Now I own a speed booster alternative RJ speed booster (Nikon mount) And was thinking about the idea of buying a full Rokinon cinema lenses set (Nikon mount) Than use it on the RED scarlet before buying better primes, but than I will not be able to have
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