zlfan

After adding sharpening, the C4K 60p looks usable, but not as sharp as GoPro 12. The ZF 85mm is set at F8 with peaking on, so the lens should have no issue. GoPro 12 is really good in terms of sharpness and details. OM1 burst 120p is at least as good as GoPro12.

I mean all video modes have this shaking. I remembered that when I used this focal reducer on EM5, my Leica R 50 mm f2 is about 35mm, about x1.4-x1.5. Maybe the OM1 at 50 mm or 60 mm with IBIS is like this? If so, OM1 IBIS is not effective at long focal length. This kind of IBIS performance is about the same as EM5. Not as good as using Canon C300mk1 or FS7 with a Tamron IS lens. At most, they are equal. I have a lot of 100 mm and above MF lenses, this just is not enough. Kind of disappointed. If OM1 has this kind of IBIS performance at long focal length, I don't expect much from GH7 S5 2, etc. This kind of critical information, only when you have the camera, you can test. I don't see from the sheer videos on youtube about this. But in photo 120 p burst mode, as it is less than 1 second, the stabilization is great at 85/55 mm. I will use this mode a lot on OM1. It is the crown jewel. Video modes on OM1 are just not as outstanding.

The 120p photo burst mode has no issue for mf lenses. The C4K 60p and other video modes have issues with mf lenses. I used a generic focal reducer with a 85 mm zf, I set the focal length in the ibis as 55mm. Suppose to be the case after the focal reducer. But the IBIS just has little effect.

But if in 120p photo mode, ibis does not matter much. all of the 75 frames are gone in less than 1 seconds. the final image sequences are stable like on tripod.

To my opinion, OM1 is probably the best deal for hybrids now. Stacked sensor 120p 6k for 3 seconds. Good ergonomics and build quality. Just hope that the MF lenses can be stabilized as well as the native lenses.

Just tested C4K 24p, 60p, 4K 24p, 60p, FHD 60p, 120p, 200p. All in H265 10 bit HLG. The same landscape scene, focused at infinity at F8 using a manual focus lens. Viewing on a 27 inch 4k monitor at a viewing distance of 1 meter in full screen mode without any zooming in. C4k 24 p and 60 p look very close, 24p might be a tiny bit punchier. If don't pixel peeping, hardly any difference to my eyes. FHD 60p, 120p, 200p are noticeably less detailed and muddier. C4K 60p 10 bit HLG looks fine even to the latest standard. But none is as good as the 120p photo mode. I used art 1 filter, so the jpeg looks very colorful and punchy, but still has a good dr, much better than EM5 in art 1 mode, which has a very limited dr. The IQ of the 120p 20 mp raw plus jpg is just like, eh, the photo quality. LOL. Somehow the mf lens can not be stabilized by OM1, almost no stabilization at all to my eyes. Big bomber to me, as I bought this OM1 to stabilize my mf lenses.

mf lenses with 5d3 on stick still have rolling shutter. so go canon l lenses with optical is if rolling shutter is important. you will be amazed.

I found out that the major issue of the 5d3ml, the rolling shutter, is almost unnoticeable when using the 16-35 f4 is. the optical is is really good. very stable. and no rolling shutter.

the color gives me some true nostalgic feeling. very few cameras can bring this feelings to me. one of my best footages is from this rig. 5d3ml with 16-35 l f4 is cannot neither, although it is good for hand held. the former rig is for stick.

om-1 seems having much better dr than em-5. i remember that in art filter 1, em-5 has very narrow dr. om-1 in art filter 1 looks much better. just a quick observation. will test more.

is high tax on chinese high tech products good or bad? i think in the short term it is good, protecting local high-tech industries. in the long run, not sure about the benefits. maybe the states will come up with something totally new, revolutionize the society, thus lead the world in a clear-cut edge. maybe not.

totally true.

your neighborhood is nice. you must live a comfortable life too.

actually, modern trains are high tech instruments, no less than red cams. lol.

it is all about the union.

it is all the iphone's fault.

Actually this is the true reason for log or raw, not the dr thing.

some in camera picture profiles are actually mimicking famous film stocks. just we power users typically skip these in stock styles.

i also found that log plus some in camera painting is much better than log then post lut for 8 bit even 10 bit cameras.

i bought my om-1 brand new at $1099 at om store on bf.

true.

5d3 has no mojo except its ml raw for video and time lapse.

for stills, ccd cameras rule.

you kept s1h and sold s5 2x?

every time when i grade 14 bit true lossless ml raw, i am so happy.