Davide DB

About at 16:50

I don't know anything but in the last Media division S1 II review they showed a goggles linked to the camera used as a monitor or something like that.

Step right up, ladies and gentlemen! One more round, one more ride!

As usual, Media Division has one of the best review

Alright, drama aside for a sec! You've likely already stumbled upon this thanks to our friend Google 😜 but this guy is obsessed with anamorphic lenses and, besides having dedicated videos, he uses them pretty much everywhere. https://www.youtube.com/@cammackey

Where are some real AF tests, except the YouTuber's head moving in and out of the frame?

I was only saying it to emphasize the fact that Panasonic truly seems to have a curse that haunts them, or simply the incompetence of their own executives. The timing and manner of presentation of their products are the worst that has ever been seen in industrial history. As soon as the FX3 Mark II comes out, the used market will be flooded, and it's likely that in the following months the same fate will befall its APS-C sibling, the FX30.

Exactly rhe motto I cited few pages ago: when in trouble, go big! The responsibility doesn't lie with the engineers, but with the executives and the marketing/sales department.

An FX3II or something is expected in the next few weeks so Pana will be again one step behind.

From Canada they called a true masterpiece 😉

At this point, with 6 FF cameras with overlapping features, I don't see how an S1HII could come out. It seems to me that Panasonic's R&D has reached a dead end.

That's quite a mess of resolutions! Edit: found How can I tell which ones are uncropped, meaning which of these can I still trust what's written on the lens?

I'm with Andrew. If the leaked specifications are confirmed, I find these two cameras to be completely dull, boring, and uninspired. I don't work in research and development, nor in the marketing department but I was a loyal customer and so I really don't understand the strategy (if there is a strategy). You have 5% of the market and you present two absolutely anonymous cameras that don't stand out from the multitude of cameras sold by the market leaders. You can't afford 6 full-frame cameras. What we all loved about Panasonic was its ability to stand out from the rest. In a market completely dominated by the usual players, it was able to innovate. Now that drive has been completely lost. Precisely because you are constantly losing market share and are fading into oblivion, for me the motto applies: When in trouble, go big! You have also absorbed what was once the professional division and you continue to present tired and worn-out concepts. RIP Panasonic

Yes, same question!

A lot of leaked photos on l-rumors

Latest rumors: two cameras and one is the S1IIE 😑 Introducing the Lumix S1II E – The E stands for everything you didn’t know you needed. Meet your new creative companion: The Eeprominator – Built-in memory so loyal, it holds onto your moments like your grandma holds onto your baby photos. E-Waste Not – Every shot counts. Even that accidental one of your foot? Frame it. Easter Snap – Hidden features? Secret settings? Surprises await in every menu. Emoticanon – Shoots in feels-per-second. Guaranteed to hit you right in the heartstrings. Exploitomatic – It finds the light. It finds the angle. It finds you. Lumix S1II E – Not just a camera. It’s a character

GH7

If the rumor’s true and they’re dropping two new cameras, I’m not even that fussed about how they differ from each other. I just want to know how they plan to make them stand out from the S5II and S5IIX. How are they gonna explain that to customers? Just the 60p crop? Seriously, how do they expect all these models to survive in a market that’s getting tighter by the minute? And it’s not like they’re Canon, Nikon, or Sony. Beats me, feels like a magic trick at this point.

Yes but it seems just a normal camera

I see you all lurking in the shadows, secretly reading the rumors, too afraid to hit “post”... 😇 In just a few days, the new Lumix FF is set to drop—and rumor has it, we’re talking cinema camera territory. The Canadian YouTubers? Already in Texas and Portugal, probably under NDAs thicker than a RED firmware update. So... are we talking or what? Because let’s face it: after this one, it’s gonna be another six years—and at least one global event worthy of a disaster movie—before Panasonic releases their next cine cam. Built-in ND? Or are we chasing DJI ghosts again? Meanwhile, our cowboy filmmaker has the mystery box chilling on the hood of his pickup, right across from the light he’s testing:

Does it exist a camera whose image technically falls apart nowadays? 😉

Could you elaborate on this?

Yesterday I watched on Sky TV the documentary Linx, a French-Swiss documentary released in January 2022, shot and directed by Laurent Geslin. It follows a lynx family in the Jura Mountains and reveals the hidden life of this elusive feline. https://mulderville.net/en/news/5009/lynx-interview-with-director-laurent-geslin Geslin is fascinated by all wildlife but was particularly drawn to the lynx due to its rarity and symbolism. Living near the Jura Mountains, he found it meaningful to focus on a local predator rather than traveling abroad. The lynx, reintroduced in the area to help control herbivore populations, represents successful coexistence between humans and nature. While he has photographed many animals (including urban foxes), making a film was a new challenge. Film allows him to tell stories in ways still photography can't. The transition required adapting techniques, such as anticipating and building cinematic shots rather than capturing single moments. He already published a photographic book about the linx. Finding and filming a wild lynx was incredibly difficult—he once spent eight months without a sighting. Lynxes are elusive and mostly nocturnal. He used lightweight gear for mobility in the mountains and learned to read animal behavior over time. All footage in Lynx features truly wild animals in their natural environment—no trained animals or artificial setups. Geslin emphasizes that the authenticity took years to achieve. Geslin hopes viewers understand the lynx’s vital ecological role. As a top predator, the lynx helps control herbivore populations, which in turn protects young forests. He sees the lynx as the “keystone” of forest health and aims to raise awareness about the importance of preserving such species. The cinematography of the film is very beautiful. It is not cinematic in the strict sense. It has a very very natural look. The documentary has a distinctly European style that I prefer. There are no cumbersome hosts, no one is pretending to risk their lives to film the animals. No spectacularization. There is very sparse voice over and lots of natural sounds, ASMR style. I would have liked to see it in the cinema. Geslin appears in Nikon magazines and I became curious about the equipment used. In all the interviews he tells about the enormous effort of following these animals for two years. I couldn't find direct references to the equipment used (I have great difficulty with the French language) then by chance I came across some short shorts on his YouTube channel and a Lumix appeared. I can't tell if in a photo it is a GH5S and the other one it's a Lumix FF. If he really shot everything with Lumix cameras, I think yes yet another demonstration of what can be done with these cameras in a genre (wildlife) almost totally monopolized by Red. Regardless of the camera used I absolutely recommend viewing.

How to make someone addicted to drugs: first I will gift you drugs and then when you can't do without them I will ask you for money. Another clear example of enshittification (https://en.wikipedia.org/wiki/Enshittification)