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Joowe

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Posts posted by Joowe

  1. 47 minutes ago, webrunner5 said:

    There is No Cine cameras that have IBIS in them. So I don't see what the hell you would gain going that way.  And most of them weigh a ton for a good reason. Buy a freaking Osmo Action and just be happy. Why the hell do people think if they buy a better camera they will be better! The camera is the least of most peoples problems.

     

    If we control your vocabulary a bit, I would take you into account.

    We are not all born with the camera in hand but we have to adapt to the new.

    I'm not going to buy more gimbals and I'm looking for something to make the most of with a camera and a lens recording handheld.

    Could you stop being so angry with the answers and abstain if you can not contribute anything?

    1 hour ago, Turboguard said:

    Take the GH5s off of the ronin? 

     

    Edit: And buy a native OIS lens if you don’t think it’s “stabilized” enough. 

     

    Edit2: I don’t want to sound like a jerk so sorry for my edits, but my original thought was more in terms of like, why spend all this money of a new camera+setup when you have something that you like and actually works for you. I shot a mini doc, run and gun with bmpcc4K and it looks great, so I can’t imagine you would do worse with a GH5s with IBS and OIS lenses. 

    It is not bad at all what we are recording in hand with GH5s and, adding a stabilized lens could be a good improvement. Thank you!

  2.  

    I have GH5S for inside workshop shots placed in ronin mx but it weighs a lot and I need something lighter for handheld!

    I'm thinking of buying something less heavy for handheld but I do not decide between the Panasonic s1 and the kit lens + ninja atoms V, gh5 + 16-35mm stabilised + ninja atoms V or directly Panasonic cx350 (too small sensor and very poor user manual)

    I need 4k 422 10bit, as stabilised as possible for handheld use. I would like something FF or super 35 minimum to take advantage of the Canon EF lenses that I have and could use them in the tripod when the situation requires it. I say 422 10bit for the ease of working colors in Davinci.

    C200 or Eva1 are not stabilised, S1H is not yet available. The sony's I've had get very hot and I do not expect more from the next a7s III.

     

    I know that Panasonic auto focus is as it is but I work in manual normally.

    I prefer good stabilisation and good colors.

    ???

     

     

  3. 12 minutes ago, kye said:

    It sounds like you are very sensitive to colour rendition, I can understand because you're using colour more as a scientific instrument rather than aesthetic for entertainment.

    In this case, I'd be worried that changing camera would change the colours - camera brands have colour differences much greater than individual lenses.  Maybe try to rent the camera bodies before you commit to buying - it would be better to find out if they're going to work before you pay retail price for one! 

     

    I also have a6500 and I get the colors but many times I need more ISO and here is where the colors fail me. With GH5S this does not happen to me at high ISO but the sensor covers me insufficiently.

    At the moment what has failed me with the colors are the lenses, less the APOs.

  4. 1 hour ago, thebrothersthre3 said:

    EOS R is kind of a no brainer if you have Canon lenses and don't need 4k. Other wise if you want 4k with no crop the S1 is a great option or the Nikon Z6 for something more affordable. 

     

    With an EF to Nikon Z available, we could have the nikon in mind too.

  5. 8 hours ago, currensheldon said:

    I've used the EOS R pretty extensively, but looking forward to my S1 arriving this week. After I test it, I'll let you know, but I'm pretty sure the Panasonic S1 is going to be way more to my liking for shooting video and with your GH5s, a much better combo for color and picture profiles.

    2

     

    Let's see what conclusion you get.

    The color match, I do not know if it will be possible between S1 and GH5S.

    GH5 and GH5S do not have the same color science (as an example)

    Thank you!

    3 hours ago, kye said:

    You're looking at spending thousands of dollars to use your existing lenses instead of spending a thousand or less getting the right lens for your GH5s.  I would question the logic of that decision.

    There are wide and fast lenses available for MFT, people don't talk about them much because they're expensive, but they're cheaper than buying a brand new flagship camera body.  Plus they'll hold their value longer.

    What are your specific needs?  You talk about "best color HD" because you "lose angle in my lenses".  It sounds like you just need a wide designed for MFT with little CA to match your APO lenses.

     

    We make videos in a metallurgy lab. 
    I have a lot of macro lenses but the only one that gets me the colors of metals is voigtlander 125mm macro. 
    As I said, I have no extensive knowledge and no time for color grading but with this lens, the color comes out easy. 
    I will never buy mirrorless lenses, good or cheap because we change the camera every time we can to improve and all the lenses we have are EF. When changing we do not have fan brand complexes. 
    It may cost money to buy a good body right now but not as much as changing the system. 
    We work in a lab and the weight or dimensions of the lenses do not matter. 
    We also have Otus and it is ridiculous in a mirrorless but it gives us good results and this is what we are looking for.

  6. Hi.

    I have GH5S and nice lenses EF adapted to MFT.

    I need FF or Super35 camera for the best color HD, No Log.

    Stabilizer and autofocus I don't use.

    I don't have time and knowledge to grade Log, Vlog, etc.

    GH5S it is perfect for what I need but I lose angle in my lenses.

    I don't want to buy boosters for CA and I have APO lenses.

    S1+MC21 only for Iris is ok for the color match but EOS R+original adapter is ok as well for my EF lenses and the price difference is not important.

    ?

    Any push to one or another, please?

     

     

  7.  

    In the end, I bought gimbal and motion control.

    The MC bought it from another brand but returned it for not moving fluidly.

    For the moment I will stay with the gimbal because I like the results it gives and versatile.

    Thanks for your help!

  8. I want to use the MO for macro video shotting with focus tracking in real time.

    I have notified the seller and he has assured that there is not a problem.

     

    I do believe that it is a problem to maintain the focus with a 125mm macro in MFT (250mm).

    I have given all the details about what I need because I do not want to buy to send back

  9. Hi.

    I have cameras (GH5S, A6500, GoPro7), lenses (all EF mount and adapters), tripods and normal sliders.

    I do youtube videos in my lab to promote my business.

    I want to improve my videos adding motion and I am between 6-Axis Motion Control SET from sliderkamera and Zhiyun Crane 3 LAB.

    At the final I will buy both but which one is more useful to buy first? 

    Motion control is cumbersome to assemble to prepare each scene and I think I will stop using it for complexity.

    However, it has the advantage of the slider.

    The crane has a follow focus too and it is easier to set up before a scene.

    I have never used crane or motion control and I would like someone who has both systems to give me their opinion.

    Thank you very much for your time!

    Coly

  10. Big, big, big problem.

    I need a video camera under 3K, body only, for 4k mechanic laboratory video.

    No need auto focus or OIS.

    I have canon EF lenses. To use in MFT I need Booster but, GH5S + Booster = A7III or less.

    In low light both are more or less the same.

    The unique difference it is 240fps vs 120fps and I prefer 240.

    Relay it is so big difference, in the real world, between 240 and 120?

    I have a6500 and 120fps are bad, like my English :(

    I use external recorder atomos.

    Any advice, please?

     

     

     

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