androidlad

Just now, zerocool22 said:

Thats awesome! Hopefully they can implement a decent codec instead of h265. If I was Z Cam I would be knocking on blackmagics door for Braw. 

I downloaded a clip from the F6, but I could not push the image around like I wanted or way less room to play around with vs my ursa mini pro or even my pocket 4K at this point, seems they need to fix the curve on that cam still, also something weird going on with the noise in the camera(but its still all very alpha/beta, so they have some time to fix the problems). 

They are working on Cineform RAW.

2 hours ago, thebrothersthre3 said:

Same dynamic range as Fuji XT3 video? Thats a bit disappointing. 

Yes, but at 8K FF, you gotta look at it in totality.

1/2.3′′ 12MP CMOS Image Sensor – Sony IMX377

Ambarella H2 image processor

FOV: 145° f2.8

Shutter: 1/8000-120s

Video specifications: 4K60p with 8x slow motion, HDR and automatic time-lapse photography

Shooting mode: single, AEB continuous shooting, countdown shooting, multiple continuous shooting, interval shooting

14 minutes ago, AlexTrinder96 said:

will the F6 be using the same/similar sensor as the Mavo LF? 

They are indeed using the same sensor IMX410.

2 hours ago, andjo said:

Dynamic range on the full frame version looks very pleasing from this example 

 

F8 has the same pixel level DR as S6 and FUJI XT3 (~11EV) as they have the same 3.76um pixel design. But if we normalise the 8K footage from F8 to 4K, it'll have about 1EV cleaner shadow.

6 minutes ago, omega1978 said:

the jpg is not visible

New CM-55C firmware released today:

http://www.swit.cc/CM-55C-firmware.aspx

1. Signal format displays 59.94 instead of 60.
2. Default color temperature changed to “Native”
3. Signal format display and battery info display can be individually turned on/off.
4. Support 17^3, 33^3, 65^3 User Lut cube upload
5. Add “Saturation” adjustment in calibration menu.
6. Fixed audio meter bug
7. Add start-up background image instead of black screen

KAIZEN!

On 5/8/2019 at 3:14 PM, Jordan R said:

Hi all. Loving this conversation. Just got the X-T3, switching from Canon. I wanted to shoot in hlg, but noticed the ISO 1000, is that a hardline or is there anyway to drop it lower? I have a variable Nd filter if need be, but would love to not have it natively that.

P.S. yes I know this is a year old thread, but it's the only place I can find that's mentioned the iso 1000. 

Take a look at the original post, ISO 1000 is explained in detail.

It can't and shouldn't be dropped lower.

44 minutes ago, hijodeibn said:

Hey androidlad, for under $1K, which TV would you recommend to use for grading?, not professional of course, but something that can be close enough....if that option exist of course, more than one option will be great...

Why would you grade on a TV? There are some good quality 24-27in monitors in the sub-1K range that are great for SDR grading as long as you calibrate properly.

A tip for quick access to format SD cards function very few people know of:

Press delete button for 3 seconds, hold, then press rear command dial, card selection for formatting pops up.

Flip screen on p4k, non-destructive mod:

8 hours ago, BrunoCH said:

If it's Premiere/Windows, you have to get the same gamut mapping with a « normal » FHD HLG. 

Yes it happens to all HLG FHD materials, but not 4K.

1 minute ago, BrunoCH said:

FHD 120p is necessarily conformed in a « normal frame rate » into XT3 . Maybe during this conformation there is a mistake (bug) and file tagged in rec709. Something around this.

The metadata is BT.2020/HLG. I think it's Premiere/Windows 10 doing the SDR conversion.

Discovered something very peculiar today:

Shot some internal FHD 120P H.265 clips in HLG, imported into Premiere Pro 13.1.2 and it automatically applied a gamut mapping (BT.2020 to BT.709), gamma was left untouched so no blown out highlights and such, just the gamut was mapped (more saturated colours). Can't seem to disable this gamut mapping...

45 minutes ago, jagnje said:

It has probably been discused before, but I can`t seem to find much on the topic...how is wifi monitoring on andoid phones/tablets? Are there any apps besides the official fuji app?

That app is a god awful piece of s**t. For reliable wireless monitoring you have to go with HDMI transceiver.

19 minutes ago, Emanuel said:

Not the best test, however...

 

Gosh, at least post the original source clip, not some random guy's "grade".

https://drive.google.com/open?id=1-iSjiFOFVkD7i6mdyame5TYFQuW7JMhy&fbclid=IwAR3lx8-S0dp1CwysxKHRCFYX6agd2Yy0VMWB0WLwMoroX9fmqp-4ivDOfzg

And it's not Super 35, or "S-log"....

4 hours ago, kye said:

I am a bit confused about these Dell monitors.   I have a Dell UP3216Q - is it the same line as the one you reference?

With mine I can calibrate it fine with sRGB but haven't been able to get it to calibrate with any wider colour space.  I'm using a Datacolour Spyder 4 Pro and a MBP and it just won't finish the calibration, so I abandoned using it as a HDR display.  I did a bunch of googling and apart from buying another calibration device I couldn't find any useful information on it.

Models of monitors and calibration devices cycle so fast that no real amount of knowledge is actually available online about anything besides the manufacturers claims.  It might be a mis-match, it might be a scam, we'd never know because the tech moves on too fast.

UP3216Q is not an HDR monitor.

To access its built-in hardware calibration 14bit 1D LUT + 3x3 matrix (slot CAL1/2), you need Xrite i1 Display Pro and Dell's Calibration Solution software.

1 hour ago, Jimmy G said:

Well, if the following information from Sound&Vision is correct...

<<

Virtually all films are currently mastered for video on monitors having P3 color primaries. Those primaries are converted to Rec.2020 based coordinates, but the color values are identical, leaving the consumer with Rec.2020 color that only extends as far as the P3 color gamut within it.

>>

...from...

Colors in Space | Sound & Vision:

https://www.soundandvision.com/content/colors-space

...then it sounds like one could actually use a DCI-P3-capable HDR TV as a monitor to grade their HDR content for DCI-P3 delivery? ...or am I missing something both obvious and important here?

-HDR-noob

You could, totally, for non-professional use.

HDR is more than just a wide gamut. There's peak luminance, intraframe contrast, tone-mapping etc.

5 minutes ago, Jimmy G said:

I found this chart (originally posted in 2016, but which has apparently been updated with newer 2018-19 HDR TV models) with tests comparing DCI-P3 and Rec. 2020 capabilities of various TV displays available in the U.S. market (sorry, that means no Panasonic HDR TVs listed)...

Wide Color Gamut Coverage of TVs: Rec.709, DCI-P3, Rec.2020 - RTINGS.com:

https://www.rtings.com/tv/tests/picture-quality/wide-color-gamut-rec-709-dci-p3-rec-2020

...so it's looking like that if one's target is to correct for Rec.2020 then the TV-as-editing-monitor market is not-quite-there, yet.

Which then raise the question in my (new-to-HDR) mind, is there any sense to just correcting to DCI-P3 for now (if one's NLE allows), since that's all anyone's target audience can enjoy here in early-2019?

BT.2020 for now (and for the near future) is only used as a container, the actual encoded gamut for HDR is P3 D65.

1 hour ago, photographer-at-large said:

Asus PA32UCX msrp $3K   There is a PA27UCX model as well.

Asus PA22 OLED msrp $4K

Dell UP2718Q is a proper HDR monitor with FALD, about $1500.

The new Atomos Shogun 7 also uses FALD and costs $1500.

20 hours ago, Attila Bakos said:

I removed the free fix, and created a package with more options, including DCTLs: http://colorizer.net/index.php?op=technical

On the bottom of the page you'll still find an option to fix these issues for free using FFMPEG.
I can include more stuff in the package if any of you have suggestions.

What's the difference between Resolve cube and Premiere cube? Just clamping?

Can you maybe put in colour space mapping LUTs with the matrix fixes combined? For example, HLG to Alexa 709 with matrix fix as one single LUT?

Proper HDR displays can't be low cost due to them having to use Full Array Local Dimming backlight, or just OLED panel.

44 minutes ago, photographer-at-large said:

@androidlad does global reset mean global shutter?

No.

Global reset:

Global shutter:

Rolling shutter: