kuau

FYI Blackmagic just released Blackmagic Video Assist 3.2 Update which now supports RAW recording from the SigmaFP 

On 6/30/2020 at 9:53 AM, Lars Steenhoff said:

The BMD extended film seems to be good too,  I need to make some test

I also like BlackMagic 4K Film to Rec709 V3 for a quick grade and using your setup in Camera Raw which is IMHO 100% the correct way to work with CInemaDNG files.

Does anyone know when Atomos or BlackMagic will release new firmware to support ProRes Raw or BMRAW

7 hours ago, Chris Whitten said:

 

Yeah, I'm seeing the white box on all screens. I'm only using legacy lenses (Pentax and Leica M).

I though these were APS-C lenses and not FF

Not to beat a dead horse, yet it is my understanding that shooting in RAW = no profile at all so no LOG. One sets the desired look / profile in the NLE which handles the debayer process. LOG is a baked in profile when shooting in anything except RAW, 

Am I wrong ?

I have the exact same issue and I am using bother the Panasonic 24–70/2.8 and the 70-200/2.8 L Mount lenses and shooting video is a total crap shoot. So I decided to focus more on stills with the camera and when using high burst mode I had the exact same issue

i reached out to Leica USA last November and have gotten a response from them

Geoff, 

Thanks for the heads up at Allens Camera, I just purchased it..

Can anyone recommend a external display for the Cinema 4K I don’t need recording. 

Thanks Adam, that's what I was thinking also,

What about this whole conversation about shooting in 4K/UHD and downsampling to 1080p.

The way I understand it is you don't just take your 4k footage and drop it on a 1080P timeline.

Can some explain the proper way to do this in Resolve the correct way?

New to the site.

I shoot all drone footage with my GH4 and just started using V-LOG

99% of all my footage is all high contrast scenes, snow covered mountains, skiing, etc.

So far I have had good luck with V-LOG

My question is in regards to post in Resolve 12 Studio and this blog from a while back which I am sure everyone has read

http://www.eoshd.com/2014/02/discovery-4k-8bit-420-panasonic-gh4-converts-1080p-10bit-444/

Since I have to shoot internal UHD, 30FPS, 4:2:0 8bit  V-LOG and final render to 1080P is it still worth transcoding my footage first as discussed in the above blog?

I am Windows based and have to at least in Resolve 12 use the "Optimize Media" because working with native H.264 is just to slow. I have been transcoding into DNXHD 4:4:4

I have tried to convert a few files in GoPro Studio into Cineform HD 4:2:2 and then work on these files directly in Resolve.

I am still new to all of this and just want to make sure I am not trying to make my 4:2:0 footage any better by going through the extra step.

Any advice on a solid workflow would be greatly appreciated.