mercer

That 16 2.4 looks like a decent little lens. The iFunction seems handy as well. I have a really small Olympus LS-7 field recorder. I can get acceptable results with just the onboard mics. I know you just got it, but do you have any graded video with the 16-50?

Interesting. Throw her on an L-Bracket and attach a small recorder to the cold shoe on the bracket and a small shotgun on the camera hot shoe... Tiny little system. Shure has that small shotgun that has a recorder built in

How's the ois?

The 16-50 is even cheaper and not much bigger. It's a slower lens and a touch bigger, but it does have ois which would be great for run and gun. The focus rings must suck on these lenses though. I dread the idea of using a focus by wire after using a Nikkor or a Rokkor-X. I'll probably end up using the Minolta 45mm or Konica 40mm.

Exactly, I only paid $350 for the body, brand new. If I threw in some adapters, extra batteries and a couple vintage lenses, I might be able to get $250 for it. So, I'll probably start using it like you intend to... Throw a pancake lens on it and use it as a point and shoot, pocket cam. It would probably be great on one of those small, handheld gimbals, or gopro steady cams.

That makes sense. When I first got it, I overestimated what I could do with it and was, still am, a little ignorant as to how to get the best out of it. Unfortunately, I haven't picked it up since I bought the G7. I was thinking about selling it, but the downscaled 4K to 1080p b&w is so gorgeous, I will probably end up keeping it.

Seriously, the amount of DR and light falloff in her hair is beautiful.

Interested to see what you can do with it. It's a cool little camera that can be so damn frustrating. One of the most ergonomic cameras I've ever had, though. It just feels right in the hands.

Actually the 3rd could be the Digital Bolex?

1st and 3rd are film... Krasnogorsk... the 2nd is Red.

Didn't know you had the nx500... How many cameras do you own? Yeah, 1080 on the 500 is... (Searching for the right words)

Good to know. I have tested cinelikeD and now am messing around with natural. I also have the nx500, you used to have the nx1, right? Do you like the g7 better? I use only vintage lenses and I think they pair better with the g7 than they do with the nx500. Of course, b&w on the nx500 is incredible. Anyway, good work, I look forward to your next piece.

I decided to go with the ai-s 35-70mm f/3.5. I now have a modest little set of Nikkors that should suit me well... 28mm f2 35-70mm f3.5 50mm f2 Now I just need to sell a few other lenses to raise some money for a metabones xl.

35-70 ai f3.5 or 35-70D af f2.8? I can get a good 3.5 for around $90 and a decent 2.8 for around $175.

If you want the best lens with that look, spend the money and get the Nikon. Other 2.8 lenses will probably be fine for whatever you're doing, but I feel like you keep asking the same question and hoping you get a different answer. If you want to know what the Tokina or Sigma 2.8 lenses look like, Google them... Surely there are videos online using those lenses.

I used to have the RMC Tokina 28-70 and it was a really nice lens. Very low contrast. I have the 25-50 which is also great. I will say though... The Nikon is better... That is why they used it on Bourne. I get that it may be too much for you... I can't afford one either, but it IS better.

3.5 isn't too bad. With the metabones XL it will get down between f/2 - f/2.5 ... Which is more than admirable for a constant zoom. Is it parfocal? It seems it focuses inside the barrel, so I assume the filter ring does not rotate when you focus? I have the Minolta MD 24-35mm and it is a stunning lens, it's like a small set of wide primes in one lens, but the filter ring rotates on focus, so using a fader nd is a pain in the ass. Do you have any screen grabs?

Since you already own the 35mm f2 and you love it, then I would stick with Nikon. Grab a 50mm f2 and the 28-70mm and you'll have a great set of lenses to use on the NX1 or any future camera purchase for the foreseeable future.

Very different.

Have never used one, but I found a few on eBay. They run around $150, give or take.

I liked the super 16 at either 50 or 100.

Thanks, this could be interesting.

NYC is a different kind of place. People go out of their way to not make eye contact. From the corner of their eyes, they probably thought he was a crazy guy with a box on his shoulder.

http://prolost.com/blog/rawvslog

That sounds interesting. Let me know when it's done, I'll be a buyer. I was just reading an article by Stu Mascwitz over at prolost.com about the differences between Raw and Log footage, a lot of it went over my head but there are some interesting parts involving the clipping of RGB channels and how you can post manipulate white balance by simply adjusting those channels... Or some shit... Like I said, it was beyond my knowledge. You'd probably get more out of it than I did.