GXAlan
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GXAlan got a reaction from CMCFirm in Samsung NX Speed Booster
I am going to be exiting out of the NX system and was Backer #1 for the Nxl. If anyone is interested, let me know before I start posting it on the usual for sale forums. I am based in the USA.
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GXAlan got a reaction from Marco Tecno in Samsung NX1 Firmware 1.20 Coming Soon
Wow! There are a few other things which would be really cool.
1) Allow peaking to be "ON/OFF/Always" so that we get peaking without zooming in (Sony style)
2) For the intervalometer, allow extended exposures beyond 30 sec for astrophotography. Arbitrary is best. But 60 / 90 / 120 / 180 / 240 / 300 sec would be golden
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GXAlan got a reaction from Flynn in Samsung NX1 vs Canon C300
It's not just Premiere. Transcoding into ProRes can cause that problem too. #1 challenge with the NX1 is workflow. The price/performance makes it a worthwhile effort. TBH, the NX500 is going to be the better deal for 4K/UHD 24p
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GXAlan got a reaction from Beritar in Samsung NX1 vs Canon C300
It's not just Premiere. Transcoding into ProRes can cause that problem too. #1 challenge with the NX1 is workflow. The price/performance makes it a worthwhile effort. TBH, the NX500 is going to be the better deal for 4K/UHD 24p
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GXAlan got a reaction from agolex in NX1 exposure drift problem FIX
Ok, exporting the HEVC to TIFF directly, skipping the ProRes.
1) All channels DO show 0-65535 range. So ProRes is making it worse.
2) The flicker is visible on source HEVC as well. Here are the median values L/R/G/B (i'm skipping the standard deviation)
TIFF A 48059 / 44461 / 46260 / 47545
ProRz A 48059 / 44718 / 46517 / 47545
TIFF B 48059 / 44461 / 46260 / 47545
ProRz B 48059 / 44718 / 46517 / 47545
(overall brightness is the same, but it is slightly higher on ProRes. Would be one tick in 8-bit 0-255 scale)
TIFF C 47288 / 43690 / 45489 / 46774
ProRz C 47288 / 43497 / 45746 / 47031
TIFF D 47288 / 43690 / 45489 / 46744
ProRz D 47288 / 43974 / 45746 / 47031
So compared to ProRes, the overall brightness drops the same 1.18%. However compared the ProRes is a bit brighter in green/blue and darker in red.
I compared the frames and then did an stretched the histogram.
So there you go.