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Tito Ferradans

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Posts posted by Tito Ferradans

  1. Spend some good flight time from Vancouver to Brazil translating some more chapters. Two thirds done, most of my lens research done too.

    Cosimo, I haven't forgotten it, just don't have time at the moment. hehehe. I'm focusing on getting this one done first, then catch up with the stuff I missed. ;)

  2. dahlfors, I will, just need to get some time to do it. hehehe

    I know there is a lot of reading to do, and probably some considerable updates to this work.

    I've seen their first videos and seems really interesting. :)

  3. Tito,

     

    Do you know if I put a doublet on my lomo squarefronts if I'll be able to shoot them down to T3, or maybe T2.8?  Right now they're good at around T4.  I'm thinking about buying some large achromatics but they're pretty expensive and I'd like to know how much image improvement I can expect before I drop the cash.  The Tiffen's you recommended are nice for close focus but I'd love to be able to open the aperture up a bit.

     

    I'm asking you because you're one of the few on here with experience with squarefronts.

     

    Any guidance is much appreciated! Thank you!

     

    Man, gotta have some more time to write a proper reply. Hang on, by the end of the week at the most!

     

    Anyone know the telltale signs between a Tokina 0.5 and 0.4? Google image search isn't helping. Tia

     

    You wanna know their difference visually? The 0.5 is a single element diopter, which means it is much thinner than the 0.4 doublet, which means that the 0.4 improves your image quality considerably while the 0.5 just changes your focus distances.

  4. Thanks guys, it's good to be back! hahaha :)

     

    Found this video, by Kostas

     

    He sold this lens about 18 months for something near EUR 6k, which, IMO, is a total ripoff, like those $6k Iscoramas.

     

    This lens is originally a projector lens. It's a 16:9 video attachment for watching widescreen movies on 4:3 systems, almost like you said, dahlfors. It is a 1.3x adapter.

     

    The good version (the one I have here) is the Mark I. Later ISCO released a Mk II and III, which are waaay bigger and heavier (bulkier, I'd say), so they're no good for most of us, even though every once in a while they pop on ebay for huge amounts of money. (here's a look at Mk III, or >Mk II here on EOSHD)

  5. Every time I open this forum, I see new threads asking questions about diopters and close ups, and how they work, or why some are more valuable than others. Would it be too arrogant of me to ask for this thread to be pinned? :P

     

    The first post answers 99% of all other threads questions, and it's always better to have centralized information instead of roaming around dozens of threads looking for one specific reply.

  6. Long time no see, guys!

     

    I've moved to Vancouver six months ago to attend a VFX intensive course (which isn't over, by the way), and got the lens in a stroke of luck for a decent price, about the same time I moved here.

     

    Problem was I had sold my Isco 54 a while back and had no clamp or step rings to make it work. Believe me or not, took me six months to dig some time and go out hunting a decent priced step ring (a guy tried to sell me a 49-67mm for 36 bucks!). The relevant part is I'm able to run tests with it on the following weeks, I believe.

     

    I also got a regular Isco 54, and a 36 VD for comparisons. At a first glance, the 16:9 Attachment felt sharper than the 54 and, when shooting 16:9, you go straight to 2.4:1 cinemascope which is a more familiar aspect ratio for a lot of people.

     

    More on the lens body, it weights about the same as the 54, but has nice rubber rings for better grip and focus feels more natural than the 54 too (for me, the 54 focus ring is too light, almost sliding out of control). The size is exactly the same as the 54, rear thread is 72mm and front is 95mm. Minimum focus is a tad closer than the default 2m, even though the closest focus mark on the ring says 2m.

     

    I'm using a 5D3 for testing, and the lens is free of any vignetting when paired with an Helios 44 (58mm), which unfortunately doesn't happen for the Mir 1B (37mm), that shows a lot of vignette (I wouldn't even call it vignetting, actually, because it takes almost half the frame).

     

    It's not a common lens and there isn't much (almost none) information about it on the web, so lets fill this gap. Are there any specific tests or questions you guys want me to try and answer?

    post-22801-0-82667800-1417904994_thumb.j

  7. Forgive me if this is a stupid question as I still don't completely understand the topic. I know that achromatic filters are of much higher quality, but also much higher price. So how usable are normal macro filters like the cheap Vivitar ones or these even cheaper ones from China:

     

    http://www.ebay.com/itm/52mm-52-Closeup-Close-Up-Macro-1-2-4-10-Filter-Kit-/300932412048?pt=Camera_Filters&hash=item4610f83290

     

    Also, what size would be best to avoid distortion at the corners?

     

    Cheap macro filters are as good as regular diopters so, yes, they are usable. This whole thread is focused on them, as achromatics are still rare. To avoid corner distortion, get the biggest size you can! That was easy. hahaha :D

     

    i have a question about those 4 1/2" round tiffen diopters.

     what adapter will i need if i want use these filters with an isco54,

    i saw this adapter rings on ebay, and want to know if these are the correct adapters for use with the isco54.

     

    http://www.ebay.com/itm/221282199532?ssPageName=STRK:MEWAX:IT&_trksid=p3984.m1423.l2649

     

    thanks

     

    Wow, I looked for something like that forever. The only weird thing about the link is that it doesn't show the ring that is supposed to hold the 4 1/2 inch filter in place, preventing it from falling off. Did you contact the seller? :)

     

    I did develop a DIY solution for this exact problem. Unfortunately I sold it with my Isco54, a couple months back. Mainly, what I did was replicate the way Series 9 filter holders work, but with a much bigger size. This ebay link looks much better, thinner and stronger than mine, though. hahaha

     

    Hi guys,

    I owned a LA7200 and currently researching ways to have diopter rig on it.

    I found the easy solution here; http://www.stronzvanderploeg.net/anamorphic-shooting-with-the-la7200-part-3/#comment-112

    Which is buying 86mm diopters ($19) ; http://www.ebay.com/itm/310829145416

    And then use a step down ring of 105mm to 86mm, that the 105mm sits perfectly at the LA7200.

    But the problem is; that it's impossible to find that step down.

    My question is would the step up 86mm-105mm ($7) work? http://www.ebay.com/itm/151037727008

    I've asked the seller of the Vivitar Series 1 diopters and they said the diopters do have Front threads on them, thus I can just screw them on the step-up rings.

    Guys, you think it'll work? Or is there any better solution/budget that guys can recommend me to get my LA7200 to work properly?

    Thanks in advance...

     

    I followed the same path, but got stuck trying to find the adapter ring. I wouldn't go with the reverse size. That way, your filters will be facing the wrong way, and performance is much lower. Some might not even fit or work if inversed. Be careful.

     

    In the end, I made my own piece, for attaching 105mm filters, and worked up/down from there.

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  8. Is there math for achromatic lenses? Also for achromatic lenses does the lens just have one focus and that is it, or can I adjust the focus? Also has anyone tested this diopter: 

    Schneider 138mm Achromat +1 Diopter Glass Lens?

     

    Sorry for the delay, buddy!

    The math is exactly the same as for regular diopters, they produce much higher quality images!

     

    I've used the 4 1/2 inches series, by Schneider, as well as Series 9, and results were pretty good. Very little edge blurring. So I'd guess the 138mm doesn't do much difference. Due to it's huge size, you might even get rid of the bad looking areas, since they're always on the edge of the glass. :D

     

    Forgive my total ignorance on close up filters, I've just found these HOYA close up in my father's wardrobe,  they are quite old, my father can't remember exactly what year, maybe around 1978-80.

    Anyway I have managed to put the +1 in front of my sankor 16D and the result are not bad at all as you can see from the sceenshot

    Could you kindly tell more about those close ups filters, are they any good to use with anamorphic lens? or are just for macro stuff? the size it's a 55mm so I had to put a step up ring.

    Thanks in advance

     

    '>

    '>

     

    Comurit, the diopters we use for anamorphics are the very same used for macro stuff, so if they work on your Sankor, you're good. The downside of these kits is they usually have default +1, +2, +4 filters. The +1 is pretty handy for nice close ups, but the +2 and +4 are so extreme they're very rarely used. A good thing would be to get a +0.5, which has a lower magnifying power and bring your focus range just a touch closer than the anamorphic's limit.

     

    by the way, pretty shot with the close up. :)

     

     

    Not exactly cheap, but cheaper than the prices they had a couple months back. It was impossible to find anything cheaper than $450. Good to see the hype is wearing off.

  9. between steps 3 and 4, change the project setting to 32bpc, instead of 8 (which is default in AE). It will change the way AE applies any further color correction (like Levels, Curves, or whatever). Ctrl + Alt + Shift + K, or go in the "File" menu, or just click on the 8bpc on the bottom of the Project tab. :)

  10. I have heard the same thing about card readers. I have a new one on its way, apparnetly it needs it to be UDMA 7 compliant. I have also heard the same about connecting via USB 3, apperntly the slower speeds of USB 2 can corrupt cards.?....

     

    Precisely!

  11. I have 5 (well, 4 now, since I sold one) KB, and had problems with some of them. Their guys told me to format them using a USB3 reader, on a USB3 port, and they should come back to normal. And it did work, flawlessly, in more than one occasion.

     

    None of mine had speed issues, though. So I can't advise you on that matter.

     

    Lexars are way too expensive.

  12. Hey Chris, 

     

    I'd recommend doing a ton of camera test. Personally, I love the ML raw anamorphic workflow. It reminds me a lot of what it was like to shoot on film. It's really a disciplined flow and a scary one at the some time, cause you really don't know if you got the shot till the footage is "processed". 

     

     

    I haven't shot ML on the MK2, but with the MK3 I've had some really fun times. I've been using the komputerbay 64gb cards with great results.

     

    Pretty much agree with everything said. My workflow is a little different (I don't get along with Davinci), but until this point, I'd say the same.

     

    Hey Tito, thanks man I will definitely give that a read. Lets hope Google translate is up to the job!

    Thanks Anthony. Good advice i will definitley be testing before hand. 12 mins on a 64GB card!!! Oh shit, 6 mins on a 32GB, that is not gonna cut it. Better buy more cards!!

     

    Yes, buy more. Get Komputerbays, they're MUCH cheaper, but beware because some are bad and won't keep up the required speed.

     

    If you come across a particularly bad translated part, tell me about it, and I'll try to beat google translator on the job. hahaha. :)

    I was supposed to translate this whole thing, but I'm lacking the patience to go through 100 pages. hehe

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