Jump to content

Sebastien Farges

Members
  • Posts

    346
  • Joined

  • Last visited

Posts posted by Sebastien Farges

  1. Hello everyone, here is a quick and non scientific comparison between the Iscorama 1.33X very rare version (taht I have just for this past week end) and my baby hypergonar 1.75X.

     

     

    <iframe src="http://player.vimeo.com/video/61788864" width="500" height="281" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe> <p><a href="http://vimeo.com/61788864"
    Iscorama 36
    non MC
    1.33X version
    Pentax Takumar
    55mm f2
    Pentax mount
     
    VS 
     
    baby Berthiot Hypergonar
     
    1.75X version
     
    Contax Zeiss Planar
    45mm f2
    Contax G mount
     
    on GH3
    natural mode
    1080 50P
    light craft ND variable filter
    Tokina 0.5 diopter
  2. Anamorphic Tilt Shift essai

     

    Essai with my anamorphic lens on a tilt @ shift lens.

    Hard to use, hard to focus, this is just an essai :)

     

     

    GH3 1080P 50
    Hartbei Super-Rotator 80mm tilt and shift lens usually between f5.6 and f11
    Baby Berthiot Hypergonar 1.75X anamorphic lens
    Light Craft variable ND filter
    Tokina diopter

     

     

     

    <iframe src="http://player.vimeo.com/video/61262559" width="500" height="281" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe> <p><a href="http://vimeo.com/61262559"

  3. I did the same Seb but with my Moller 2X.

    I think with anamorphic 2x in vertical you get a perfect square (1:1) .With 1.75 you got a little higher square.

    Great video. Fantastic light, space and movements.

    Cheers!

     

    P.D: It's something like a  "medium format in movements" or instagram movie :-)

     

    Yes instragam or Lomophotography, and there is also here no color correction

  4. Hilos (Vertical Anamorphic does 1:1 ratio)

    <iframe src="http://player.vimeo.com/video/61184180" width="500" height="281" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe> <p><a href="http://vimeo.com/61184180"

    I test the possibility of doing an vertical alignment with my baby Hypergonar Berthiot 1.75X anamorphic lens. Doing this transform my 16/9 GH1 takes in 1:1 video. This could be interesting for example if you want to do false 4/3 archives with a contemporary 16/9 cam, without cropping what you are filming. Or doing filmic essai like this one, with my friend dancer Violeta.

    GH1 hacked
    AVCHD 720P 50 + still pictures
    Voigtlander 40mm f1.4 + Berthiot Hypergonar 1.75 anamorphic lens
    Light Craft ND variable filter
    Nikon +1 diopter
    No color correction

    Music : ADNtoX

  5. Here is my first hands on of the SLR Magic 25mm T0.95 I've done yesterday ! Thanks 

     

    <iframe src="http://player.vimeo.com/video/60971533" width="500" height="281" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe> <p><a href="http://vimeo.com/60971533"

    GH3 AVCHD 1080P 50
    SLR Magic 25mm between T0.95 and T2.8 
    Light Craft ND variable filter
    Natural mode
    No color correction

     

    I've just received from SLR Magic their new 25mm T0.95 lens, the production copy. It has been improved with sharpness and purple fringing from EOSHD and 3D-Kraft Pre production lens.
    The result is astonishing to my opinion, very sharp image at full aperture. Here is a non scientific quick test in a "documentary" situation (my daughter in a pony competition :) ). I'm really happy for the result, and the light was particularly cool this sunday morning.

    The lens will be available soon, for 799$

  6. SLR Magic 25mm T0.95 VS Voigtlander 25mm f/0.95 : The Exclusive Fight !

     

    https://vimeo.com/60901587

     

     

    GH3 AVCHD 1080P 50
    SLR Magic 25mm always @ T0.95 
    Voigtlander 25mm always @ f/0.95
    Natural mode
    No color correction

    I've just received from SLR Magic their new 25mm T0.95 lens, the production copy. It has been improved with sharpness and purple fringing from EOSHD and 3D-Kraft Pre production lens.

    The result is astonishing to my opinion, very sharp image at full aperture. Here is a non scientific quick test between those two lenses. More tests to come.

  7. Here's how I am mounting mine: http://www.eoshd.com/comments/uploads/gallery/album_14/gallery_18451_14_27471.jpg

     

    There are probably other ways to do it, but this is what I came up with to prevent the lens from twisting when I am focusing. Hope this helps and I can't wait to see your videos!

    Thank you :) I did a quick test with it this afternoon, but I have to bring it to a photograph repairer for the focus ring. At first glance this lens is less sharp than my baby Hypergonar, I have to put the prime lens at least on f/5.6, even for wide shot, when with the Hypergonar I can do wide shot at fast aperture (on the Iscomorphot 1.5 fast shot gives blurry / unsharp and color aberration. f/5.6 begin to be better, and especially with the Tokina diopter.

  8. Hello nice people

     

    i am trying to do some experiments with my hypergonar, but i have some confusion regarding the focus, as i am aware i can focus with both my prime lense and the hypergonar, but for some reasons seems like the anamorphic lense doesnt change anything, except the fact that seems like the bokeh rotate, is that supposed to work like this? or there is some trickery i need to consider?

     

    with diopter i can almost zoom 30 cm from my subject, only focusing with the prime lense, but even there the hypergonare seems to not focus anything...

    As far as I know you don't have to focus with Hypergonar, because it's an hyperfocal lens.

  9. looks lovely.  the tilt shift is great.  a really interesting look.  I think you need to try this with some backlighting!  I think the flares could look really exciting with the tilt shift being applied during shot.

     

    re. closeups / tokina +0.4 vs +0.5.  It looks like you dont need any additional correction on the close ups.  the results look really nice.  the little hypergonnar seems to apply a 16mm film look to the image.  looks almost edible!  

    Thanks Richard :) Don't worry I will practice with the tilt and shift and will also try flares! And for the 0.4, I will wait when I will have the budget...

  10.  
    My question is : with that kind of result, do I need a GH3 and mainly an Iscorama 36 ? I'm not so sure now for the Isco ;) Could it be better with the 0.4 achromatic diopter ? Please tell me your opinion :)
     
     
    GH1 hacked 720P 50
    baby Berthiot Hypergonar anamorphic lens 1.75X
    Planar 45mm f/2 
    Hartbley Super-Rotator tilt and shift 80mm f/2.8 lens
    Tokina 0.5 diopter
    Light Craft variable ND filter
     
    Premiere pro CS6
    light CC (levels)
     
    Maybe the ultimate combo for the baby Hypergonar anamorphic lens : the Planar 45mm f/2. As least for me.
    I've found for a reasonable price this Planar lens that I used to have few years ago on my Contax G1 rangefinder. I had great memories on that lens and sold it a few years ago for money reasons. Here it backs, for 200€. Popular Photography magazine said in 1994 that it is the sharpest lens ever made. Effectively this lens is very sharp, also at f/2.
    So I decide to test it with my (new, again) baby Berthiot Hypergonar 1.75X anamorphic lens, a very small and light (51,7 grams !!!!). For the close up I used my new Tokina 0.5 diopter. I just watched the export of this movie on my TV and I'm very pleased of the result, no vignetting, no distortion, and very sharp result to my opinion, with the Tokina in the close shot, and without in the wide shot.
    The very firsts shots (with the blurry corners) have been taken with a tilt and shift lens, the Hartblei Super-Rotator 80mm f/2.8 (Nikon mount). It is miraculously working with the baby Hypergonar, small vignetting when the lens is tilting, because it's a 80mm... It's hard to use because it was for me the very first time shooting with a tilt and shift lens. I surely have to practice, that's why I edited just few shots. 
     
    All this was shot with my old hacked GH1 in 720P. I've received few days ago the new GH3. I will do test with this combo soon. But the GH1 is still in the race ! 
     
    music : Masked Ball (Jocelyn Pook) from Eye's Wide Shut soundtrack.

     

     

     

    8482020453_25799911ac_c.jpg

     

    8482021019_8354588448_c.jpg

     

    8483112470_b465e247b7_c.jpg

     

    8482021565_7e895b20ab_c.jpg

     

    8454405548_7bf785480a_c.jpg

  11. ah ok, thanks for the tip, i have glued my 82mm adapter, now lets hope it stays in place, :D

    mmm you scared me, what do you mean exactly ? I bought a 77mm Xume adapters, I'm about to received it, it's for my Tokina 0.5 dioter 77mm (and or ND Variable filter) on one side, and a step up ring 77mm on the other side... Do you think it will works ? 

  12. Very nice. As far as I know, tilt shift anamorphic is a new frontier.

     

    I think that I have told you before that your daughter has a great face for cinema (and I mean that, not everybody does!). And the architecture of Bordeaux looks so timeless. It's a perfect combination for shooting anamorphic films. I look forward to watching your next film!

     

    Thank you QuickHitRecord, tomorrow I will try the tilt and shift in anamorphic, but without my daughter, unlike me she is working ;)

  13. Nice! really tidy rigging of the hypergonar/planar/tokina. all nice and integrated. planars work really nicely with anamorphic imo. im using a 50mm on my iscorama. sharpness central! However i almost feel it is too clinical. I imagine you will get the best of both worlds now. nice and sharp while the micro optics will add a hint of character the iscorama maybe misses.

    Based on my experiences with zeiss on iscorama I have started experimenting with modifying Helios-44 lenses in order to bring back some rawness to the image. I'm also looking at maybe getting a voigt 40mmf1.4 single coated

    I'll be interested to see if you find the zeiss a little too clinical after using for a while. Will you miss the slight vignette and character from the hypergonar/voightlander combo?

    You know since I'm filming with the GH series, I went through different phases, beginning with fast lenses in the C-mount vignetting area @ their soft fastest aperture, then the Voigtlanders, and I discover what closing necessary apertures on anamorphic gives for difference (for ex is "A man with anamorphic eyes"... The baby hypergonar is maybe a little less sharp than the Iscorama at fast apertures, but good diopter like my Tokina 0.5 and maybe one day the 0.4 give him beautiful result. I have a friend of mine who has the same ex anamorphic combo like mine, but with the non mc Voigt 40mm version. Badfully he doesn't put yet example on his vimeo's. I'll let you know thru my upcoming work what I think about the Planar. I bought it because few years ago I use to have it on a Contax G1, but I had sell it for money reason. Now he's back and I'm happy about it :)

  14. You maybe know I have sold my baby Hypergonar in a combo with Voigtlander 40mm... 

     

    Now I have a new anamorphic set I have to introduce to you : 

     

    Carl Zeiss Planar 45mm f/2 (some people say the best 35mm lens ever made)

    + my new baby Hypergonar (sorry guys, I swear I don't have an "baby Hypergonar tree")

    + Tokina 0.5 diopter

     

    I've shot some clip today and the result are really promising ! Movie soon, stay tune :)

     

    and the cherry on the cake... A friend of mine loan me a 80mm f2.8 Hartbley Super Rotator Tilt Shift lens... I try quickly the baby hypergonar on it and it seems to work, without vignetting in the TS operations ! I will do some video tomorrow :)

     

     

    Hartbley Super Rotator Tilt Shift lens 80mm f2.8 (left) + Contax G Carl Zeiss Planar 45mm f2 with baby Hypergonar Berthiot + Tokina 0.5 diopter anamorphic lens 1.75X (right)

    8454405548_7bf785480a_c.jpg

     

    Hartbley Super Rotator Tilt Shift lens 80mm f2.8 with baby Hypergonar Berthiot anamorphic lens 1.75X + Tokina 0.5 diopter anamorphic  (left) + Contax G Carl Zeiss Planar 45mm f2 (right)

    8454408804_f92777ed82_c.jpg

     

    Hartbley Super Rotator Tilt Shift lens 80mm f2.8 with baby Hypergonar Berthiot anamorphic lens 1.75X + Tokina 0.5 diopter anamorphic (left) + Contax G Carl Zeiss Planar 45mm f2 (right)

    8453319835_76cd52e8b1_c.jpg

     

    Hartbley Super Rotator Tilt Shift lens 80mm f2.8 with baby Hypergonar Berthiot anamorphic lens 1.75X + Tokina 0.5 diopter anamorphic (left) + Contax G Carl Zeiss Planar 45mm f2 (right)

    8453323233_e8b1232e1d_c.jpg

     

    Contax G Carl Zeiss Planar 45mm f2 with baby Hypergonar Berthiot + Tokina 0.5 diopter anamorphic lens 1.75X

    8453396781_86d84a0a9d_b.jpg

  15. Julian, you are a lucky man, again congratulation :)

     

    but

     

    there is always a but ;)

     

    1- This is not "really" a lens from Henri Chrétien (well I suppose). The baby Hypergonar does. 

    2- I'm not sure step down ring is a good solution... Do not forget you have to align the lens...

     

    For very small lens like yours you can ask "Tony"'s clamp

    Or take this (it's what I'm using for my "new again" baby hypergonar (with adding spacers)) :

     

    http://cgi.ebay.fr/ws/eBayISAPI.dll?ViewItem&item=390530294232&ssPageName=STRK:MEWNX:IT&_trksid=p3984.m1439.l2649

×
×
  • Create New...