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Neumann Films

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Posts posted by Neumann Films

  1. I enjoyed Phil when he was genuinely putting out useful regular posts. Super 35mm adapters, DSLRs, all workarounds he endorsed. Built his name on DSLRs in fact, wouldn't have a well known blog without them. Now all I see is extreme self love and a formidable self obsession. Pics of Bloom on a plane. Pics of his cats. Instagram self portraits. Fooling about at NAB, Looping Vine videos. Posing here, posing there, posing doing this, posing doing that. It's enough to make you go insane. HAD ENOUGH

     

    The cult of personality has overtaken the filmmaker for me. Hate all the moral posturing too. Philip uses the moral high ground and his sense of humour as defence mechanisms against those he doesn't agree with. His ego HATES any form of criticism however constructive. Sad really, as in doing so one is left with just Bloomies and groupies around you. Say you don't like so many ads on his blog and you are met with standard response THIS BLOG COSTS SO MUCH TO RUN, and he tries to claim the high ground. I know how much blogs cost to run. Very little. In the past I did EOSHD one-handed on a shoestring for years. So make no mistake, the blog is to promote Philip Bloom. It is not only a selfless act of sharing he makes it out to be.

     

    Met Phil quite a few times, each time has been odd. Charming and coldly indifferent at the same time. At Photokina, he belittled me and basically humiliated me in front of two strangers in the name of humour knowing it was inappropriate in the circumstances - very barbed passive aggressive exchanges disguised as humour, really uncomfortable to be subjected to. On other occasions he was fine. I think he has issues.

     

     

    To the point of Bloom humiliating you in person.  I noticed the same thing when I watched a video with Nick Campbell and him.  Taking little potshots at him for no apparent reason.  

  2. Naysayers and narcissistic brand pushers can poo-poo all they want on ML's raw developments. They can hide their jealousy through honest and thoughtful posts on why the general public doesn't need what pros need. They can pretend like they are excited only just a little about the raw developments. However, their relationship with Canon is too important and they will continue to push the 8-bit cinema line as "the way to go." People are clearly seeing this and these industry heads (who gained all their popularity due to the HDSLR-revolution) are losing credibility they'll never win back. My bet is pretty soon you'll see positive posts from some of these industry heads to go into damage-control mode to try and regain the credibility they already lost. I'm so glad we have honest people like Andrew and Neumann Films who are genuinely excited for the sheer image-qualtiy now possible, FOR FREE, that was previously hidden from our 5D's by Canon.  

     

    TBH, most of the praise goes to Magic Lantern.  I can't speak for Andrew but I have just felt like a kid in a candy store playing around with this raw footage.  It's a total Robin Hood story and PB + others are unknowingly taking on the role of the Sheriff.  

  3. I agree. These guys have not been supportive of RAW or other creative technological breakthroughs unless they are on $20,000+ cameras that only they can afford. They're either: A. Are getting paid to tote the C series cameras B. Don't like the competition
    Or C. Don't want to put in the extra work to required for RAW workflows (and therefore don't want anyone else to either)

    All reasons are bullcrap. I know Ive stopped listening to those guys a while ago. This is just icing on the cake...

     

    D. They constantly need their ego massaged and hate it when they aren't the center of attention.  They need to find SOME angle on the story so they take one that they know will get "hits" even if it isn't in the best interests of the community that made them what they are.

  4. I agree with the DSLRs not being up to par, but regarding the November announcements, at the time everyone dismissed Canon's C300, and it turned out to be a huge success, way more than the Scarlet. The C300 is the most rented camera at the moment.

    That does not equal success for Canon.  For every 100 filmmakers they were marketing to, there is MAYBE one C300 in a rental house.  Not a good ratio.

  5. Canon's stock (in the last 3 years) was at it's highest in early 2010 which not surprisingly coincides with their only moment of brilliance, innovation wise, in recent memory...the addition of 24p on the Mark II.

     

    I put Canon in the same boat as a game developer like EA Sports with the Madden series.  Can they just update rosters and menus and spew out the same game over and over while making a huge profit?  Probably.  At some point though, enough two star reviews on Amazon and negative reviews on blog sites (like this one) WILL take their toll and they will lose their spot as the go to camera for their go to market.  

     

    It's disappointing for someone that got their start with a T2i because that was when Canon had "it".  The Mark II was innovative, the T2i had decent 1080p video for super cheap and they were killing it.  I loved Canon.  Then they just stopped impressing. Playing it super SUPER safe with both pricing and specs.

     

    Do you guys remember the November announcement two years ago?  Where they built up the C300 as something that was going to change the industry?!!!  Do we need any more evidence that Canon is out of touch with their target audience?  

  6. Yes, but this was a choice that was made before filming started, that had nothing to do with the script or the story in general, that is defying the past 50 years of cinema.  You don't think this was a large topic of discussion?  Everyone just signed off on it without being convinced that it was the right choice?  If it makes 3D better, what's the problem, you get the best 3D plus the 24p 2D version.  Win/win.
  7. Don't you think Warner Brothers would make ABSOLUTELY certain, 500 million times, that this is a good decision.  You don't think they shot test footage and screened it to countless execs and people in the business?  The idea that this is a $500 million test video for Peter Jackson is laughable.  This WILL look amazing in the theaters, just like Bane's voice will be fine.  "I can't hear what Bane is saying!!".  Yeah, he's in an airplane that's been cut in half, I can't hear much either.
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