š¤·āāļø but as with the OG S1R and itās 47mp sensor (Tower Jazz was the speculation at the time?), that was unique to the brand, the 44mp S1RII sensor is Panasonicās own apparently and totally unique as far as I am aware?
IMO, it has that mojo that the S1R had in that there is something unquantifiably special about it.
I think most reviews/reviewers go mainly off the spec sheet and very very few have proper Panasonic full-frame history/experience but those that actually go and shoot the thing properly, know.
Iāve shot 8 weddings spread over 24 days, stills and video with it now and can see immediately when I drop the files on a timeline, how much better they are than those of the S5II/S9.
And this is no ābecause I have oneā fanboy hallucination, because I have near zero brand loyalty and if I think something else will do a better job, I owe no company or brand anything. Plus have no YouTube channel, have ever received a free piece of kit or anything, so simply user feedback opinion.
Define ābetterā. Itās one of those things that is not any single thing but the sum of several smaller thingsā¦
As above somewhere or perhaps the other Lumix thread, āless muddyā, not that the material coming out of the S5II/S9 is muddy, but using words, itās the best I can do.
Iād throw up some sample footage myself for download except I only shoot log with the baked in Phantom conversion LUT for workflow purposes but the comparison with S5II/S9 is the same because that is what I have done with those cameras since I had them.
The pricing was a bit too high straight out of the gate, but I picked mine up for £2700 which was acceptable compared with any kind of brand swap which I looked at which would have been anything from 5-10k based on my needs.
So did I remain ābrand loyalā purely on cost then?
Nope; cost + familiarity/continuity + capability, but starting afresh today, Iād go Nikon with adapter E Mount glass.