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I guess I'll be curious to compare it with the OG Komodo. Its dynamic range is really nothing to write home about. It's some of the best DR I've seen from a global sensor, and definitely better than the E2-S6G - but compared with other cameras that I have which do 12-bit raw like the Ronin 4D, it is definitely not better and grading doesn't seem that much smoother either. (Komodo-X is a lot better) Also, a noisy image in raw partly just tells me that the manufacturer isn't baking it in - and I'm pretty OK with that.

CVP guys are excited too

I managed to see the whole video. He was saying colors looks like RED colors, but R3D fidelity is not there. Of course because its 12bit and not 16bit. Also the image is as noisy as Z6iii. He loves the large screen tho.

Looks like the video got pulled, but NikonRumors summarized some stuff: At $2,100, it's a much, much more interesting option than it was at $2,600.

BTW, @Andrew Reid - which Epic are you selling? There were several (Epic M-X 5K and Epic Dragon 6K in DSMC1 and Epic-W Gemini 5K and Epic Helium 8K in DSMC2 - with monochrome variants of all of the above). If it's a monochrome or maybe a Gemini, let's talk. 😃

So according to the youube review: no full size HDMI. No DR boost like S1ii, and the R3D codec is 12bit, not supported by Davinci yet.

Sort of a new Raptor. It's just a reduced/cheaper version of the existing V-Raptor. It's basically the same as Komodo vs Komodo-X. At $15,000, it's still awfully expensive, but at least it helps them stay competitive with the UC 12K pricing-wise. I suspect that with some of the other recent releases, the number of people willing to go spend $30k on a V-Raptor X isn't huge, a very small number of Hollywood productions notwithstanding. Why shouldn't they? They own both codecs and now they can tell people that it's a camera you can use as a B camera to your Z9 or it's a camera that you can use as a B Cam to your Komodo-X or V-Raptor (or crash cam) and have it fit neatly into both workflows. This is where I am, but $2,600 isn't "cheap" for me. Sub-$2k, though, and I'm starting to pay attention. Since that won't happen, I'm probably in the "wait 6 months and pick it up used" camp.

More or less, that's it. Perhaps also, to be able to shoot Open Gate.

They just don't want to alienate their customers. The people or rental companies that bought 30 000 to 40 000 USD camera and system, will be pissed if their investment is gone in days. They are already offering Canon to Nikon Z mount swapping, and my guess it will take at least 5 years or a total change.

I gave a quick look at the CVP review and it seems the S1 II has more exp latitude than the C50. Especially underexposed. Anyway I'm still skeptical about those raw codecs without a fan.

I think with the CFexpress card and many raw format in including it seems REdcode, it is no more a youtube camera, which I also thought before with the SD/MicroSd card rumor's. If they do what Panasonic did with the same sensor as the S1ii, we could get a very good camera. I sincerely hope did the later, as it would 1 to 1.5 stop of exposure latitude than for example the Canon C50.

I wonder what was the purpose behind developing this new sensor. Its not exceptionally fast, doesn't have new DR tech. Just to increase a bit of resolution and keep the 40fps burst of R6ii to put in R6iii?

I think the 2600 is the body only price. Because he says "keep in mind that this range also includes some lens kit options".

Weirdly, Red announced a new Raptor where you can choose between RF or ZF mounts...

I'm still skeptical about this one. Both RED recording and NRAW mentioned in the new rumor. Why should they give both internally? Maybe something lost in translation again.

Btw I think it's a strange first Nikon RED launch product. They don't seem to understand marketing. The first camera with RED tech should be higher-end than this, a statement. Instead they've gone and done a YouTube camera. It'll be interesting to see whether the volume of sales to content cretins makes up for the devaluation of RED's brand. It's not really a cinema camera... maybe it's 2025's answer to the Blackmagic Pocket OG?

This is always one if not the best camera review. The camera itself looks a very very good product except for the Stabilization. Another thing is the latitude test, which is for me the true to life DR test. And it is definitely not a DGO sensor and Canon is lying again about the 15 stops of DR(Not same test values). In the latitude test it scores about 7.5 to 8 stops of exposure latitude. Which is ok to good. For example the Panasonic S1ii in normal mode, does about 9 stops and the Arri Alexa LF 10 stops of exposure latitude.

WOW they finally did it... A world beyond the 3.5" LCD exists!!! If it is cheap and does REDCODE 6K to CFexpress then it's game on.

Cripple hammer may have to retire.

So it would be a camera with the Z6 III sensor, but a smaller body that includes Redcode for... the same price as the Z6 III? Cool story, Nikon. Cool story. I'll be interested to see test results for it and would consider it once it's available used.

What the F happened?

If the pricing is at the lower end, it would be a tempting purchase. As much as I have been enjoying my FP and GH6, both are nowhere to go systems for me. Not really interested in L Mount or m4/3 for the long haul. I really enjoyed shooting with my borrowed R7 and was considering picking up an R50v with the goal to sell and save up for a C50 but since that lacks both IBIS AND internal NDs, it seems slightly overpriced for my needs. I guess we'll see in a few hours about the ZR. So far, I like what I'm seeing. Lots of Raw and ProRes options and hopefully some form of RedCode.

Updated specs from Nikon Runors... Here are the latest/updated Nikon Zr cinema camera specifications: 24MP partially stacked sensor Dynamic range: +15 stops (RED system) Very large LCD screen: 4″ LCD screen, 3.07m dots, 1000nits 6K (intra-frame compression) Many features and tech from RED will be incorporated inside RED internal up to 6K 60p N-Raw/Prores Raw/Prores 422hq Smart hot shoe (for external EVF I assume, based on the leaked pictures) Image stabilization 1 CFexpress Type B and 1 microSD card slots Dimensions: 133 x 80 x 48 mm Weight: 540g Pricing based on Euro conversions should be around $2,600-$3,750 – keep in mind that this range also includes some lens kit options Brick-shaped, video-oriented design, without pentaprism and EVF – a combination of the current RED models design, the Sony FX3, and the Nikon Z30 (we already know that from the leaked pictures) Announcement tonight around midnight EDT https://nikonrumors.com/2025/09/09/nikon-zr-cinema-camera-specifications.aspx/

Nikon defines pro/prosumer/consumer segments by sensor tech and range of physical controls. Maybe they don't see Z6III sensor belonging to pro segment.

They can do both, or so I thought. I mean, I thought this camera would be the RED camera for Nikon users. That is the lower end of the Cinema cameras (FX3) that would fit in the budget and size for Nikon enthusiast and pros. And then as Sony, they could have a RED Komodo based on the Sony FX6 body style and specs etc. for more pro video level. They are 4.8 billions turnover company vs RED 160 millions. So they just need RED to be some kind of Brand for them as a serious video brands and don't even need RED to be profitable. With the new Raptor X global shutter, RED is scoring some of the biggest movies in Hollywood, like the latest Superman and Tron.