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  1. Couldn’t get the adapter from M to Nik Z so didn’t get the chance to use it for a demo Yes got that , and the SL with the OEM mount adapter did work seamlessly- really good Just the $7k they wanted!!!!!! Nice haggling tutorials-should come in handy when I hit Sim City HK...... What’s the latest price drop in$US for the Z6 from a reputable non grey import dealer- no lens kit required????
  2. Did get the chance to use a SL body with my 50 and it was a very nice result The body was new in a showroom and they weren’t too fussed on negotiating the price,so that turned me away
  3. Yes Yes you’re right- but I’ve never had anything to do with any glass focal adapter
  4. Yes FF don’t really want to put the extra cost of a lens adapter
  5. Can I get M lens to Canon DSLR????
  6. Don’t want to go crop frame either
  7. Thanks Mattias- exhausted all the You Tube on the Z6 and will have to do the legwork in a dealers showrooms with the adapter and lens by the look of things. Filmic definitely
  8. Just going through the mind games of looking for a body to mount some Leica 50 asph & a 21 asph I know I should stick with a Leica M body for best results But am I better to have a go at the new Nikon Z6?? Does the M240 body have nice 1080p? Corner smearing has a lot to do with the final decision for the 21mm... Dont need 4K - and 24 mpx is plenty Any suggestions : currently tried a Sony A7r11 and the result was terrible..... Thanks all

    EVF and Polariser

    I've been using a SONY A7R II + 16 - 35 GM + HELIOPAN Pol filter lately around water scenes, removing reflections etc.... I've found the EVF doesn't always provide the best "feedback of image" (so to speak) , its very difficult to notice the exact effect at times, more so in a very sunny environment. Seeking some options or opinions for either a remote small external EVF via HDMI or a work around with the native on camera SONY EVF... Thanks......
  10. 5D MK II + early 50mm ?


    Flea sale find so no real financial damage was incurred.


    yep thats it , thanks for the info.....


    Hey folks , found a ZEIKA CINE 11/2" F 1.4 LENS ,not sure if it has its mounting flange missing OR this is a type of mount??/ Not sure what it came off, but it has at least 12 blades in iris, all metal construction and is obviously built well.. Any ideas on mounting/format covered/adaptability?? Thanks.........
  14. Thanks for the info,I'll have a couple of stops down from max aperture, polariser and lowest ISO available versus shutter speed . I'll look into the Lilliput accessories for an extended hood and get a demo and go rom there. Thanks................. Generally speaking as the riders progress into the frame there nearly all tracking faster to left or right out of frame rather than hurting at to speed toward you, so I'm laying it down to the peaking aid and a good depth of field.. I'll be able to place a few marks on the lens as focus reference points - and surf breaks generally all develop over the same reef/break.SO a bit repeatable in the method with wind/tide changes eventually alter the area Spoke with a couple of pros's some time ago and a general comment was that after you've been with a long lens for long enough you'll get the feel for focus from how big your subject actually sizes in the frame of your viewfinder. Summer down here is not far off..Looking forward to what comes of it..........
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