3 replies to this topic

[Scott Goldberg]

I'm looking to use one basic PP setting for shooting. This is my "wish list" of what I'd like:

 

 

No bleeding of reds and dark colors

No muddy shades of color

Most dynamic range for color correction ( if needed, some shots if not many, won't need it)

Little to no video noise

Least aliasing

Flatest profile (not essential but a plus)

[jcs]

That's the "ARRI Alexa" setting 

[Scott Goldberg]

Ha ha! Seriously though, what's the closest settings or settings needed to get that?

[Ian Anderson]

Here are all the pages I've found that mention FS700 pp's. There's surprisingly few!

 

Abelcine

http://blog.abelcine...-from-abelcine/

 

Alister Chapman's maximum DR pp

http://www.xdcam-use...97&p=1647#p1647

 

'nLOG'

http://noahyv.com/in...id=24&Itemid=29

 

Some settings Frank Glencairn used at some point or another (!)

http://blog.domislji...-footage-specs/

 

Have you tried any of these out?

 

Picture profiles are still a bit of a dark art to me, so I've just been following the lead of those above who know a lot more than I about what each individual setting does! So far I've shot with nLOG and it came out alright I guess!

 

It would be wonderful though if Sony teamed up with Deluxe, Technicolor or similar to produce a Cinestyle-like pp and LUT for FS700 users. It would be a great compromise to make up for a lack of S-LOG.