Ingo Oz

It's Spring time for EOSHD.

Hello to everyone on the forum!
A Merry Christmas from me!
I hope you're looking forward to having a good break over the holidays and are ready to welcome in 2022. Talking of holidays - I have been having a break from EOSHD for a few months. I went and sat on a hill and finally had time to reflect on my work which is this blog and the community around it. The last video had a lot of support, it's made me really appreciate what I have in a more positive light. I'm mega appreciative of the people who took the time to say how EOSHD has helped them over the years and that they want it to continue.
So that's what we'll do! EOSHD is back.
Read the full blog post here

Hi,
it is an realy interesting look in the medium format anamorphic images. I am looking forward to see it in motion.  But I think using the Panasonic S1 in  ~6K Photo Mode and 4:3 ratio is a big competitor and not so expensiv.  Ok, you can only record 10 minutes, but I dont want to make interview movies.  Here an example image

 
and here the final How-To-Corona-Clip:
 
Used: S1 + VLog, 58mm Helios, Isco Ultrastar Red and the great FVD-16A from Rapido Technology.
Best regards
Ingo
 
 
 

Hi,
it is an realy interesting look in the medium format anamorphic images. I am looking forward to see it in motion.  But I think using the Panasonic S1 in  ~6K Photo Mode and 4:3 ratio is a big competitor and not so expensiv.  Ok, you can only record 10 minutes, but I dont want to make interview movies.  Here an example image

 
and here the final How-To-Corona-Clip:
 
Used: S1 + VLog, 58mm Helios, Isco Ultrastar Red and the great FVD-16A from Rapido Technology.
Best regards
Ingo
 
 
 

Some shots from the Baby Hypergonar on GFX 100
The trick here is apparently to use a lens with a rear element as small as your thumb.
On a sensor the size of the albert hall.
Light works in mysterious ways.