RodrigoPolo

Thank you. I have looked all over YouTube for sample footage, and most of the results show videos that are overexposed, with highlights clipped, I guess they didn't shoot RAW or didn't have a way to verify the exposition. The best video available on YouTube is this, which has the RAW sample footage available for download: Pixel binning I guess, that was my concern, so, just like the Sony a7III, the Nikon z6, the EOS R, the DJI Mavic 2 Pro, etc. if you want sharper results, avoid downscaling, use crop mode :-/

I downloaded the CinemaDNG RAW sample files from youtu .be Ry35hkDsfcU and they look fenomenal, 3840x2160px (4K-UHD), I reviewed the specs, questions and answers from B&H and they say it uses the full with of the sensor, which is 6,000px wide, so there has to be some sort of downscaling, what isn't clear is the algorithm (and I have asked without getting an answer on the YouTube video and on B&H) used for downscaling, for 4K (DCI/UHD) and for FHD 1080p, I'll guess that there are some options, crop, pixel binning, and as the EOS R does for cropped 1080p from 4K-UHD, crop and downsampling to 50%, but I hate to guess. I really want to know those specs to be sure if the purchase is worth doing. Another factor that got me thinking is the possibility to import those CinemaDNG files into Adobe Premiere. On DaVinci Resolve wasn't an issue, but I couldn't figure out how to use the footage on Premiere, I used After Effects importing the files as RAW image sequence, the bad thing is that the Camera RAW dialog only appears while importing or "opening the original" you are only able to "grade" using the first frame, a workaround to "grade" the footage using other frame than the first one is opening the desired frame in Photoshop, "grading" the footage and exporting the settings to a file, then, using that settings file in After Effects RAW dialog, the good thing is that has all the advantages of the Adobe Camera RAW, which has a vast library of lens profiles, something missing (or maybe I don't know where it is) on DaVinci Resolve, the bad thing, is that exporting is painfully slow compared to DaVinci Resolve, even on a Mac Pro with a 8 core 16 thread Xeon CPU. If some one can give me a light on how it achieves the FHD CinemaDNG RAW files, line skipping, pixel binning or downscaling, I would appreciated, because I'm hesitating on buying this camera.