sketch2099
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Some frame grabs from a recent shoot with the Rectilux CoreDNA, Schneider ES Cinelux, Contax Zeiss, & Ursa Mini 4.6K. More frame grabs here: https://www.flickr.com/photos/seekingheartwood/albums/72157673728625850/with/29553327104/
- Juank, Ian Edward Weir and Liszon
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yeah test videos 1 and 2 were shot with the latest Ursa Mini 4.6K 4.0 firmware so i could see the desqueezed image on the camera LCD or in an external monitor.
test video 3 was done before this and was really difficult to shoot with the squeezed image.
the schneider cinelux is the only anamorphic i've had a chance to use so far. i'm curious to try out other anamorphic adapters to compare their different characteristics, but for now i'm pretty happy with my current set up.
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really enjoyed working with the CoreDNA. Focus pulling is smooth and easy. Really long throw, which I like.
image quality is outstanding, i think definitely the best when compared to the FM or SLR options. It just gets out of the way of the anamorphic image.
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Couple of super quick samples with the Rectilux CoreDNA.
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On 5/29/2016 at 0:40 PM, Tito Ferradans said:
86mm is hard, but I bet you don't need 86mm since the anamorphic front is smaller. Keep an eye on my youtube channel ( www.youtube.com/tferradans ) as I'll teach cheap diopter tricks over the next two weeks!
just did some tests and a 82mm diopter would work, but a 77mm is too small and causes too much vignetting on 50mm even only using 4:3 area of a super 35 sensor
still looking for a good close up lens recommendation
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Looking for a fractional close up diopter solution for the Rectilux CoreDNA. It has an 86mm front filter thread. Having a hard time finding something that will work, any ideas?
Rectilux Core DNA - non-rotating single-focus attachment for anamorphic lenses
In: Cameras
Posted
Hi Liszon, thanks for reminding me to change my privacy settings on Flickr. Those stills are from an unreleased project and I should try to prevent quite so many stills from being downloadable.
There's some FPN in some of the images from the Ursa Mini 4.6K where I pushed the sensor pretty hard. I can clean it up, but I just did a super quick grade for those stills until the director sits down with the colorist.
Shooting in 4:1 compressed raw. No images of the camera build, but it's pretty standard, rails, lens supports and lenses.