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DPStewart

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  1. Hey all, I'm new to this forum today, but some of you know me from the Blackmagic forums or DVXUser. I am shooting almost exclusively Blackmagic RAW these days but I got an NX1 for the high frame rates and for the occasion that some client may insist on 4K. Lots of GREAT GREAT information being traded around on this thread here. These kooky codecs can drive ya mad, so I applaud those of you struggling through what must feel like endless testing. Thank you. Right off the bat I wanted to add 2 points here: First - Variable ND's do indeed all use two 'quarter-plates" (polarizers) against each other and that results in color shifts every time. EXCEPT the SLR Magic Vari-ND. This one is the exception. I have two of them and compared to the others I can assure you that the quality and freedom from color shift is far far better. Want some happy? Go there. Second - I've read through this entire thread and looked at everyone's stills and videos and I just want to shout: "BIT-RATE!" Meaning that almost all the image quality issues of this camera are coming from its low recording bit-rate. I've been through this exact routine already during the era of the development of the 'hack' for the Panasonic GH2. Dear lord...it's ALL in the bit-rate. I bring this up because if WE ALL get involved in pushing for a hack for the NX1 that will allow for a much higher bit-rate then it will stand a chance of happening. I haven't checked in with the N500 hack status recently, but it sounds like the ball is rolling. Masses of folks getting involved was what pushed the GH2 hack so far so fast. All these image quality problems were the same on the stock GH2 - macro-blocking, color breakup, etc., and they are ALL gone now with the 150Mbps hack we ended up with. Yeah, you read that right - 150Mbps just for 1080p. Yeah, that's a card eater, but that doesn't matter anymore at today's memory prices, and watching all those problems vanish was just so delightful. Anyhoo, continue getting down wit' your bad selves!
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