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  1. ‚ÄčThank you Noone.. Can't find anyone who has shot at super high ISO's for TV. We have borrowed one for some tests and i think we can get away with 20000. That will give us the DOP required to shoot some action out in the salty brine.. With the A7S not having much in terms of weather sealing, we are wondering how long it will take us to kill one. Our GH4's have been taking saltwater waves over them a few times now and they run without issues after a hose and dry down. The only thing that speaks for the A7S (in my case) is the low light performance unfortunately. A GH camera with FF would be fan
  2. Thanks for that.. 20000 looks pretty impressive...is that the sweet spot for high iso? Like 5Diii native iso's 160-320-640-1250-2500 and so on, has the A7S got similar or just the 3200 for s-log2? How long before NAB 2015 do they release the news on new gear? anyone expecting something new FF wise?
  3. ‚Äčseason 4 of National TV show on air in NZ and AUS. This season we are doing a fair bit of night fishing, hence my problem.. Thanks
  4. Hello So: Shooting a fishing show on a large trailer boat. Only me, so a busy man! 2 host's with lavalier mic's, + ambient audio on Rode X (waves, motor, birds, wind and so on) Shooting with 5Diii (not ML) with on-camera light and Rode stereo mic X on top + Tascam running Sennheiser G3 lavelier's in my belt. Problems: For a lot of the fishing i'm not allowed too much light, so try to stay at ISO2500 at F4 if i can. Sometimes i need to go to ISO5000 when they need more darkness not to spook the fish. 5000 is really pushing it for broadcast though and my editor is not overly exited about ISO5000
  5. Thank you for a great review... Does anyone know where to preorder a PAL version?
  6. http://www.sandisk.com/products/memory-cards/sd/extremepro-sdxc-sdhc-uhs-ii/?capacity=64GB Will it work on the 5Diii for raw recording? Thanks
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