-
Posts
22 -
Joined
-
Last visited
Content Type
Profiles
Forums
Articles
Posts posted by Jorgen Gerstel
-
-
Hi, found this on NL marktplaats (not mine) : https://link.marktplaats.nl/m1411574920 but he is asking too much....
-
-
Yesterday filmed in 4K the korfball Play Off - Sports Event + 720p livestream to youtube with the "DEV" hacks to disable 30 mins limit and lens check.
Camera NX1 proofs to be stable, even in stress conditions of the sports event!
- Camera: NX1
- Lens: Canon Broadcast J17ex7.7B4
- Record: 2160 25p on Komputerbay SD card
- Video out: 1080P for Youtube livestream
Great work and many thanks :-)
- Hanriverprod, RieGo, SMGJohn and 3 others
- 6
-
Hi,
One of the "issues" with the NX1 is time to convert HEVC. So using a LUT will speed up, thanks for helping the community with this. But I was thinking differently: can we get a setting out of the box, straight from camera and still have a cinematic look?
Here are my settings:
Settings:
Gamma DR
Saturation -2
Sharpness -5
Contrast +5 yes, it is really plus 5
Hue 0
Hand heldHEVC convert with ffmpeg script:
echo start > ff.log
date >> ff.log
for F in *.MP4
do
OUT=`echo $F | sed s/MP4/mov/ `
ffmpeg -i $F -c:v prores_ks -strict -2 $OUT
done
echo end >> ff.log
date >> ff.log
Straight from camera, no color grading, only stabilized in FCPx
Cheers,
Jorgen :-)
-
Found some youtube video's showing issues with version 1.30, but I can not reproduce. My NX1 is stable so far. However I do not have any Samsung lenses, all are old MF lenses via adapter.
Wish list:
-Also clean HDMI out with 1080p while record in 4K internally. Now 1080p out is showing the "display". This would enable streaming to youtube in HD while record in 4K.
-Real s-log
-
I would expect next:
-Sony will announce A7R II with 50MP sensor very soon
-Canon waits for NAB to announce the 5Dc for video, with good low light performance and maybe only 12MP sensor similar to A7s
-Sony strikes back with A7s II at NAB and will beat Canon again...
-
Here are some grading examples based on the footage of ChristieEnglish, thanks Christine for doing this .
Examples are a bit extreme, one "normal", "moonlight" and old 1980's look.
-
Happy new year to you Andrew
Let's hope 2015 will deliver us the perfect camera - and your best review
-
Hi,
If you open terminal, you can use ffmpeg for free. If you do not have a Samsung, but want to experiment with HVEC, you need to type something like this (encode to H.265):
ffmpeg -i input.mov -c:v libx265 -preset medium -x265-params crf=28 -c:a aac -strict experimental -b:a 192k output.mp4
More info:
https://www.ffmpeg.org/ffmpeg-codecs.html
And if you have a Samsung 4K TV, it can play the H.265 files directly from USB or NAS, which is very nice.
-
Hi, in some shots the anamorphic lens is not 100% horizontal aligned, happens to me also some times. You can fix it in post, but a trick I use lately is very simple: put a little marker on the taking and anamorphic lens to prevent it.
-
How will Canon 5D hold against 4K UltraHD Video?Watch this: Magic Lantern RAW video, 3K vs 4K vs 1080P vs Anamorphic testhttp://youtu.be/DH5nKNedyNICamera: Canon 5D mk iiiLenses:
- Kowa 8z lens
- Canon 85mm lens
Settings:- Anamorphic x2 settings: 1536x1290 24p
- 3K cropped: 2880x1206 12p
- 4K cropped: 3584x1320 12p
The Komputerbay 64GB card does not go beyond 112 MB/s (debug mode), this is why in 4K and 3K framarate has to be lowered.Enjoy! -
Again, I'm confused. "85mm is what is needed" to avoid vignetting, then Vid atlantic say a 50mm lens gives 'a little' vignetting, while saying the Helios 58/2 is a good match for the 5D. So how can the Helios 58/2 be a good match for the 5D and also be the 'recommended' lens for anamorphic use with M43 format? I mean one has twice the crop factor of the other and people are recommending the same lens? I am missing something, and brains is only a small part of it.
Hi
Recently I upgraded from 50D to 5D. On a aps-c like 50D the kowa 8z works great with 50mm taking lens, no vignetting. But the same 50mm shows a lot vignetting on the 5D, because FF. So I go for 85mm on the 5D.
Workflow: With ML 5D3 you can go 1600x1290 or 1536x1290 and do the processing in MLV Mystic or RawMagic. Then import DNG in Davinci resolve, set clip attributes to cinemascope in pixel aspect ratio and you're ready to go.
Cheers,
Jorgen Gerstel
-
http://www.youtube.com/watch?v=VQFnzuHguhU&feature=share&list=UUlf5U99GbelM7qTqJB4sdAA
Camera: Canon 50D
Caonon 50mm lens
ML build 11th July 2013 -
Buildings in Eindhoven
http://vimeo.com/70886798
Camera: Canon 50D
Caonon 50mm lens
Magic Lantern Raw - 1080P filmed in zoom / crop mode (exept for evoluon intro clip)
ML build 11th July 2013 -
http://youtu.be/HJ17itrQFAwTesting 50D crop mode, now 50mm lens turns into zoom lens!Very crisp image!Camera: canon 50DResolution: 1920 x 1080Magic Lantern RAWmax frames I get with 1080P crop on 50D: 171RAW shot straight from camera can be downloaded here:
-
Kermis Best 2013
http://youtu.be/2Hc1pqOHKscCamera: Canon 50D with Kowa 8Z anamorphic lens
Recording: RAW recording using magic lantern June 28 build
Workflow: RawMagic - ACR - FCP-X
Original DNG resolution: 1344 x 1058 color depth 14Bit
Kowa Anamorphic ratio is 2:1, so after conversion resolution will be 2688 x 1058
Sound: Zoom H2N 4 channel surround
Images:
http://www.gerstel.org/images/canon/M06-2200_00236.jpg
http://www.gerstel.org/images/canon/M06-2224_00341.jpg
http://www.gerstel.org/images/canon/M06-2225_00594.jpg
http://www.gerstel.org/images/canon/M06-2244_00057.jpg -
know bout that but one sec is just too short, nevertheless it's the best quality out there sub bmcc
Hi there, do you have a test video sample of the JVC 4k continuous stills video?
-
-
Hi,
Got my Nikon V1 last week. Here is my first 4k video test and some wave board fun with the kids:
Cheers :)
-Jorgen
Sony - the new Canon!
In: Cameras
Posted
Dear Sony, you can also do Hoshin planning to find a break through. Then Kaizen events can be used to brainstorm and find solutions for the next level break through. Please visit Toyota in Japan, they are the experts in LEAN.