Hudson

Hmmmm, for my purposes as a wilderness and adventure shooter where everything is on my back in the mountains and in the back of bush planes, I couldn't disagree more about the native Z glass so far. Small, light, razor sharp edge to edge, no focus breathing, no chromatic abberation, weather sealed and built really tough, I've been hit by a big wave with the 24-70 on my Z7, rinsed it with 1 litter of fresh water and kept shooting. I've got the 24-70 F4, 50 1.8 and 14-30 and I love them. Sure, the focus by wire stinks for video focus pulls and star work, but that's where the adapters come into play. I'm personally selling a lot of my 2.8 F-mount glass and all of my Sony gear except the voigtlander 10mm F5. 6. That lens is the only reason I'm looking at this adapter.