the_brotographer

There seems to be a lot of negativity about this camera. As with everything, to each his own. I am a current Z Cam E2-F6 owner. It is a fantastic camera. I have built it up to be a beast, and I absolutely love the codecs in it. However, I am also a Sony stills shooter, with a wide variety of their lenses. It seems like people hating on this camera are already massively entrenched in what they know works for them. That is totally fine. For me, my business partner and I actually started a production company during the pandemic, which seems like a crazy move. However, we have gotten a massive amount of work during this time, as I'm learning that business is mostly about relationships. For our new company, we were using two separate cameras, the F6 and the S1H. These are both amazing cameras, but our workflow has been a pain trying to match up the colors, even though they are actually using the same sensor. We were considering investing in RED, but honestly the FX6 made much more sense for us. We actually bought two of them. Having the ability to shoot in low light, get a beautiful image, use my existing lineup of around 10 lenses, as well as take advantage of auto focus again are really going to actually speed up our workflow. We can also record XLR audio directly into camera while doing interviews, which massively speeds up our workflow in post production. So yes, this camera isn't a massive upgrade, but then again, for other people like us, it is much more bang for our buck compared to buying 2 RED Komodos, with have to be rigged up, don't have great AF, and come out to like 8-$9000 after rigging. Again, different strokes for different folds. 

I have also done some tests. However, I found that Canon L glass works quite well while shooting video as long as you are using the Metabones adapter.
 
 

There are lots of other questions that I could have. No reason to get angry over this. Like shooting in LOG vs non LOG then matching them.