vladsaysF
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vladsaysF got a reaction from Cinegain in An adventure into the Panasonic GX85/80 begins - and a look at the Leica Nocticron for Micro Four Thirds
wow i see i sparked quite a debate! hehe
i want to thank everyone for their input. i decided to go with the GX85. for one, Yes, IBIS was the main selling point. i want to shoot up close, in movement. two, it was on sale for 697 usd. three, judging from what i've been reading here and elsewhere, no matter what camera i could get in this price range, it will be a better investement long term than the camcorder. the other thing is,
i have a classmate who runs a small video clip production company, i'll go assist him on his projects this summer, he'll be able to teach me a lot of things. someone was worried that i'll end up another guy who does press & shoot... look, i'm a screenwriter. my priority is the story. I'm fascinated by the theories of Tarkovski, Eisenstein. Eisenstein revolutionized montage at a time where movies didn't even have sound. I tend to agree with him and Tarkovski. the real magic happens at the montage. I want to learn how to stage what i have in my head. Practice writing tthat will make sense when it's being filmed. Practice putting together shots to get the dramatic effect i envisioned.
do i want to be a Super Mega Pro and shoot jaw-dropping video? sure it would be nice. but to get there, i have to practice a lot. and the investment of time spent on acquiring technique is justified, to me at least, only by having things worth shooting properly. I'll learn what i can in the process, and if i end up feeling like i could learn more/do more with more sophisticated/specialized equipment, well i'll cross that bridge when i get to it.
i got the camera with its kit lens, and following the advice i read here and on some other review sites, i'll get a prime lens as my second lens once i get a bit more cash.
thank you for all your help! i hope i'll be able to get as much advice in the future as well, once my camera arrives and i start experimenting with it.
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vladsaysF got a reaction from Davey in An adventure into the Panasonic GX85/80 begins - and a look at the Leica Nocticron for Micro Four Thirds
wow i see i sparked quite a debate! hehe
i want to thank everyone for their input. i decided to go with the GX85. for one, Yes, IBIS was the main selling point. i want to shoot up close, in movement. two, it was on sale for 697 usd. three, judging from what i've been reading here and elsewhere, no matter what camera i could get in this price range, it will be a better investement long term than the camcorder. the other thing is,
i have a classmate who runs a small video clip production company, i'll go assist him on his projects this summer, he'll be able to teach me a lot of things. someone was worried that i'll end up another guy who does press & shoot... look, i'm a screenwriter. my priority is the story. I'm fascinated by the theories of Tarkovski, Eisenstein. Eisenstein revolutionized montage at a time where movies didn't even have sound. I tend to agree with him and Tarkovski. the real magic happens at the montage. I want to learn how to stage what i have in my head. Practice writing tthat will make sense when it's being filmed. Practice putting together shots to get the dramatic effect i envisioned.
do i want to be a Super Mega Pro and shoot jaw-dropping video? sure it would be nice. but to get there, i have to practice a lot. and the investment of time spent on acquiring technique is justified, to me at least, only by having things worth shooting properly. I'll learn what i can in the process, and if i end up feeling like i could learn more/do more with more sophisticated/specialized equipment, well i'll cross that bridge when i get to it.
i got the camera with its kit lens, and following the advice i read here and on some other review sites, i'll get a prime lens as my second lens once i get a bit more cash.
thank you for all your help! i hope i'll be able to get as much advice in the future as well, once my camera arrives and i start experimenting with it.