jorgelibra

OMG the blog is so full of shit as this Black Magic Anus would be after eating up some of your latest articles Eoshd, you were once so cool.. Good luck!

It looks like finally we will have 4k on a medium budget FF Canon camera but there's a lot of people still complaining about specs specs specs...and nobody is wondering about things like dinamic range..? Yeah who cares cares about tthat! All we need is more k's more fps more specs specs specs... It's clear, Canon won't never fit "our" SPECtations

Nice capture. It still looks a bit red to my eyes.. but difficult to judge if there were red brick walls around her. I just wanted to update you with my expierence. Althought I have to confess that I expected a little bit more support from Andrew (sorry but true!), the Log Lut Converter make it's job, as long as I've been using it for a couple of works since I bought it, and my GH4 footage matches very well now with my Canon 5D MkIII footage after a little bit of adjustment to avoid this red/magenta dominants. So, althought it is not ready out of the box (in my opinion!) it has proved to be very usefull for me! Excuse me one more time for my poor english.. Cheers everybody!

The XL 0.64 works just fantastic with my GH4. I tested it with Sigma 18-35 f1.8, Canon 50 f1.4 and Canon 70-200L II with no issues at all. Very good investment!!

I aprreciate you took some time to play with this clip and try to fix this magenta issue, but I was more looking for a general solution.. In any case with no feedback from Andrew.. and V-LOG finally coming to our GH4's this might be a bit irrelevant now..?

Hi Andrew and everyone else! I've been following you for a while and I really like your work. Where of I have decided to buy this Log Converter Lut. Congratulations, beacuse the Lut looks very promising.. However, I have to agree with the ones who are claiming that the result looks a bit magenta/red straight from the workflow that you indicates in the pdf. I'm skipping the transcoding process so I'm applying the Input Log with Lumetri in Premiere and then Filmconvert Canon 1-DC Log Lut. I have attached some samples: 1-straigh from the camera (using Cine V and the other tips you recommend in your guide); 2-After lumetri input log; 3-After Filmconvert Canon 1DC (KD 5207 Vis3 film settings, without any other changes than setting filmgrain to zero). I just wanted to show those to you guys in order to get light on this, maybe we need to apply some other workflows or is it the Lut that would need some corrections? Apologise for my poor English! This looks simply amazing!! So please could you please give more details, like how do you apply this Arri Lut first, and which one,... Thanks!