Geoff CB

Well the video clearly shows that it's the Nikon Z6, not even hiding it. Really hope they deliver on it internally, but I am not holding my breath for it. Nikon has had to many missteps for me to believe this until it's in the camera.

My advice is keep what you currently have. Buy a good video head tripod/monopod, a mic and lavalier mics, a cheap drone, and some video lights. A gimbal if you want to go all out. That should cover all your bases at first. If you need to upgrade your cameras go from there. I think soon Canon will be forced to have Full Frame 4k in their morrorless bodies by competition so I would not buy a high end body from them right now. If you want to get a cheap video oriented body for your lenses as a stopgap I would go for the new 90D. EDIT: Also make sure your computer and storage are good enough to edit and store everything!

Well it might not be to my taste but it at least looks very color accurate.

Yeah I absolutely love my z6 but announcing the RAW is going to require a hardware adjustment is definitely a kick in the teeth. At least they should have put 10-bit LOG internally in the camera to soften the blow.

Great turnout and fantastic videos!

It's something I need to test on my Z6. I've fallen in love with the non-log output from it and would also like to see the results of focusing on increased color information instead of increasing DR.

Fusion is the after effects replacement, it just is a completely different interface. I'm trying to wrap my head around it as well. Keeping up with software is a job in and of itself. With Blender's recent overhaul I'm committed to learning it to the point of doing 3D animatics for storyboarding and basic visual effects like tracked fire and explosions. We'll see how successful I am with that endeavor!

Pocket Camera comes with the full Version of Resolve. You can buy a Resolve Dongle for about $170 on eBay.

Pay for Resolve and upgrade your ram. The GPU accelerated export of H264 runs at ~110 fps for me (RTX 2080) The default export running on my 6-core intel i7 5820K is ~60 fps.

Frame grabs from a shoot yesterday, 1080p 120 fps upscale to 4K in Resolve.

It does not have a crop most of the time. Has a small 1.1 crop when shooting N-Log. From a recent creative shoot, frame grab from 1080p 60 fps

If they can fit in the E-mount of the FS5 they can fit it into a compact body.

My wife doing a hairflip

Can't live without it now. Priceless during assembly edit.

The MFT mount with a speedbooster seems like a far more cost effective option given the large price difference.

All the new camera sync features and the "Boring Detector" are great updates. And once again I'm trying to convince myself not to buy their $1000 keyboard. But the keep convincing me more...

Pipe dream: Full Frame Ursa Mini Pro Hoping for: New external recorders to replace their previous lineup.

Yeah I'm editing a documentary that was partial shot in S-log 3 on a A7rIII and it is a pain in the a**.

Really just using Wolfcrow's Cine 1 setting and just grading that. Files are flexible enough that as long as I protect highlights I can bring up the shadows while editing. FLAT is already a pretty great setting. Andrew's Log profile gives you DR but sacrifices to much color for my taste.

Agreed, watched it on cell phone. Should have checked it on my desktop before posting

Not my footage but clean.

I found it quite organic in motion.

Loved it for what we were shooting, images that focused on flattering the subject. Very clean skin and nice backgrounds. Paired very well with the URSA. It was on a locked down tripod.

Canon 70-200 2.8 IS on URSA Mini Pro (Prores 2K 4:4:4). Still from an upcoming short.

Wish I had the cash to grab a second body!