Ben Prater

Did anyone see anything related to audio for the pocket camera? I'd love to see both a headphone jack and mic jack. Even bigger points if they've thought even beyond that with something like an XLR adapter, etc.

Interesting comparison Andrew! I'm going to be adding the D5200 as a suggested camera for my clients that want a fantastic image on a budget.

For those of you looking for a good daytime comparison video of the GH3 against the 5d Mark III should check out this video, mute the subtitles to see if you can guess which camera:

http://www.youtube.com/watch?v=8qLJ5Oc5adM

Can't wait for your GH3 article Andrew -- I've been waiting to pull the trigger until I found out what the GH2 master has to say!

My prediction is that you'll rate the the BMCC #1 and GH3 #2 as the cameras for indy filmmakers to buy this year!

Not impressed. Too much is missing, especially CineForm RAW and ProRes. Also, any camera manufacturer should now be thinking at least 4K. And 11.5 stops of dynamic range, even if it's all usable, is a little underwhelming at this point.

It is important to look at the current landscape when judging a camera system. Right now, options under $5k are pretty limited. If you are doing Fx/greenscreen or need headroom in post for grading, you won't find many cameras shooting in RAW. Is the camera for everyone? Definitely not. But it will fit the bill for many people's projects.

For anyone that can't afford the BMCC, I suspect that the GH3 is going to swallow up this part of the market for next year or two.

With an image that is at least as good as the 5d3 and lots of other juicy bells-and-whistles -- at a price point that is similar to Canon's current Rebel line -- it'll be a no-brainer for most enthusiasts.