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Q: As a cinematographer, are you approaching these last eight episodes in any different visual way than you have the previous four seasons? A: Vince and I have always talked about a descent into darkness. And in terms of an overall palette it's really dark. It doesn't mean you don't see stuff. It means that there are a lot of blacks in the frame; it's contrast. One of the advantages of shooting a show for five or six years is that we know who these characters are. So I don't need to light their faces up all the time. If a bald head that's around six foot walks into a room, you know it's Walt. We all know who these people are, so it gives me a lot more freedom than I may otherwise have. The article @ AMC...