Since this is definitely the result of the smartphone combining multiple images, competing with this in stills is a matter of bracketing.
For video, I imagine there may be various schemes. Picture a big ugly Franken-Camera with a main sensor and a smaller secondary sensor to grab the highlights. Something like an A7s iii with a NEX riding in a ‘sidecar’. Unwieldy, complicated, and totally uncompromising; exactly the king of thing that is at home on a film set.
I am also reminded of Fuji’s old multi-size pixel sensors in the Nikon-bodied Finepix line. They were stills only, but they were claimed to be magic sauce by many wedding photogs in the mid 2000s.