Lack of 24p doesn't affect me much as I do all my shoots in 25p. But the biggest feature that's missing from this camera's coverage is the support for clean, 10bit 422 HDMI out: https://www.usa.canon.com/internet/portal/us/home/learn/education/topics/article/2019/august/4k-and-full-hd-video-with-the-eos-m6-mark-ii/4k-and-full-hd-video-with-the-eos-m6-mark-ii/!ut/p/z0/lZDBboMwDIZfpT1wjJxVqGqPHahqp6KqN8gFeSQFj9ShEMr29st4gEkcP-uTf_8GBTkoxhfV6Mkx2sCF2pbZ7bQ7nRN5kellL2_X63t6PCbn-BDDB6j_hbBh02dJVoPq0DeC-O4g38i3PeQ41uPgIY9bgazFfbRWNFq8SBsnJgq2b4wwbhCPrXhg3wqipTYU9PV8qgOoyrE33yGuQnZcspkm81nOU_aR1FSTR1tagz0T15E0eqzmR6xC3op46KifOZLYe6qsGSL51yTw3CSSS25bZkPXqiL9mda_3X4sFA!!/
That and support for speed booster with DPAF makes this even better than EOS R in value. Yes, the 4K is pixel binned and there's no log profile (although Cinestyle/EOSHD clog can alleviate that somewhat) but full frame 10bit 4k with Canon colors, great Canon glass and dpaf is a pretty competitive feature set in 2019. I'd sell all my Sony gears (they're the new Canon) and switch to Fuji if it were not for their pricey lenses that autofocuses slowly in video; thankfully Canon has provided a decent option.