Lambo

14 minutes ago, deezid said:

Overall I prefer the S1 over the Pocket 4K in everything but codecs.

The image is smoother and has more detail to it. Colorscience is ahead of its competition as well as dynamic range.

The 10 bit codec doesn't have any serious issues. Colorgrading works flawlessly.

But the S1(H) has a serious problem: Blue and yellow color clipping which unlike the red clipping on the P4K cannot be recovered in post because there's no more data left.

Prepare yourself for lots of reshoots.

What about the s1 vs the 6k?

I see weird stuff happening with the Red's on the BM 4k/6k .

39 minutes ago, deezid said:

Absolutely no sharpening at all and only slight hints of temporal but well implemented temporal noise reduction.

 

A much nicer image than the Pocket 4K sure. Color science is ahead of the pocket 4k as well.

what about in comparison to the 6k

https://www.youtube.com/watch?v=MK8NvJ9pdKc&fbclid=IwAR0_8AUJuXK32ylhqwuc70tHoIgOe3-qfJfS_Ku-ckl6HCeQnsKPMxzTu3k

deleted. wrong thread

I just rewatched I think the around 8:52 he says it, although it hard for me to understand what he is saying TBH

12 minutes ago, currensheldon said:

This does look like an incredible camera. Raw over HDMI coming! That's exciting. 

But... no announcement of price or release date? Very strange... 

Did'nt see this in the video can anyone confirm

55 minutes ago, crevice said:

Also for anyone reading this that has slightly deeper pockets and is ok with a larger camera and still wants the same "magic" in the footage - I forgot to mention that the URSA Mini 4.6k (not the pro!) also uses a Fairchild sensor and the footage is simply gorgeous. Just throwing out options for folks who prefer the Fairchild look. I have not used that specific camera, just have seen the footage - so I am not aware of its quirks. 

I thought the G1 Pro also had a fairchild sensor.

Do you think we'll ever get a true successor to this with the 4k fairchild sensor?

10 hours ago, Wild Ranger said:

Wow thanks man!

This is great work. What diffusion filters are you using?

56 minutes ago, Wild Ranger said:

Hello!

I have new stills from a recent shot I was DPing. It's another theme, Kinda of game of thrones thing ?. I think this is a good point of reference to see how color look in this type of forest/swamp with those costumes and production design. Here i used some old vintage Takumar lenses because of the organic look they have, i think they help to sell the fantasy theme.

I use the same procedure I always do, and my style of grade using GHa Daylight to LogC. And diffusion LOT of diffusion!

GH5 or GH5S ?

12 minutes ago, Sage said:

Those look fantastic. And as long as you're in anything but Premiere, ProRes is perfectly fine.

Can you send me a raw DPX of that last still?

What is the issue with Prores and Premiere?

How do connect the Zeiss Ultron to the Anamorphic?, total Anamorphic noob here but as far as i can tell the Ultron does not have a standard front thread.