Phil A

It of course depends on your local law. That's why in the end most advice will turn towards "contact a local lawyer with experience in the field". What's valid in Canada might not match USA might not match Germany might not match you name it.

Ok but then you shoot 1080p. The NX1 also has really low RS in 1080p and quite bad one in 4k. I thought we're talking about shooting in the cameras' best image quality. It's kinda bothering that you have to choose between image quality and rolling shutter. Nevertheless impressive what they've put into such a small, cheap camera.

The A7s is just up there with the worst offenders regarding rolling shutter. Which is somewhat surprising.

If you talk about normal, current Canon lenses like the L series stuff, I would rule out the NX1. There's no way of electronically controlling the aperture with these because there are no smart adapters for Samsung.

There's no rolling shutter because stills use the mechanical focal plane shutter while video uses the electronic shutter. It's quite obvious on cameras which can shoot both mechanical and electronic shutter (A7s, X-T1, ...), one has clear rolling shutter and the other not.

Just to give closure, I'm sticking with the NX1 for now. I like the easy to achieve colors and except for low light it's quite good. I'll sit out until after NAB or maybe Photokina before making any decisions. ...even though I've just got the offer for a 1Dc with 2 years warranty for 4000$ but it's a quite big camera.

Wouldn't a C100 with external recorder be an even cheaper and qualitatively equal choice?

I think that's still valid but at 699 Chf (when last seen in a online store) vs 3500 Chf, who cares? I think the Sony A7rII and A7sII are just overpriced for the compromise you'll have to make. I considerd getting a A7r II + Speedbooster but then you look at 4200 without lenses and you have bad slow motion... or you could get A7s II but then you get rather lackluster auto focus and only 12 Megapixel for stills. And both, for my completely personal perception, have really meh colors (apparently to White Balance problems?). I would take it for 2000 - 2500 $, but not for 3500 € like in Germany. European prices are still crazy.

Hearing about those "GH5 will be 6k" rumors makes me really annoyed. There's basically no really good, usable large sensor 1080p camera (I know, 5DIII ML, but a lot of people don't want to deal with the tinkering) and we jumped to 4k with weak codecs, now we'll directly jump on to 6k with probably the same weak codec but even more post issues? Forums are full of people arguing that you can't get the good stuff because SD cards are too slow for higher quality, but why can't we at least get 10bit out of the cameras via HDMI? The High Frame Rate also doesn't go out so you shoot 120fps FullHD on some super compressed codec. Are clips with the BMPCC out there that look like detailed, polished, modern footage e.g. like out of a commercial? All I find on VIMEO is low resolution / badly focussed, dark muddy grades stuff that looks like FilmConvert overdone times 10. I think the image out of the BMCC 2.5k is amazing but that camera ergonomics are meh, the extra resolution really helps over the BMPCC sensor in post for the finished product though. BMCC 2.5K sensor in a C100 body with Sony IBIS and active MFT mount... TAKE MY MONEY!

If they use wide angle as most would expect and focus is set to at least a few meters away, depth of field is a non-issue.

1Dc GH4 FS5

Can you actually take off the top handle with the viewfinder? With a lot of the older systems I feel like the monitor and EVFs are so "old tech" that it would be best if you can just take them off and replace them with the system of your choice with HDMI or SDI connection. They also could get in the way when rigging it.

Even for the BMMCC you'd want the BMPCC SpeedBooster and not the M43 XL. I feel like things change to rapidly at the moment to make long term planning / investments. If you do videos as a business, consider your ROI. If you do it as a hobby, decide between being conservative with money or splurgig because gear makes you happy. I've just decided to sit tight on camera investments until more "want to have" criterias meet in one product even though I'd like to upgrade/sidegrade.

That can't be answered in general. I take it you're talking about the speed booster? In the end you have three future possibilities: - Stay with Micro43 > Speedbooster for M43 - Go with Sony APS-C > Speedbooster for E-Mount - Go with Sony Fullframe > Smart Adapter for E-Mount Seeing how you seem to be undecided about what to opt for in future, did you consider buying used to minimize losses when selling on?

So far the CUBE NX1 from Motion9 is the nicest cage I've seen so far for the NX1 but it's sold out and I'm doubtfull it'll come back in stock when considering the current Samsung situation. Maybe keeping eyes open for a used one? http://motionnine.com/shop/cube-nx1/

I've got a VD Pix-e5 on order to fix my external monitoring issues (and record in ProRes) and borrowed a 18-55mm OIS from a workmate. I think I'll keep the NX1 until there's a Sony A7s III or Canon C100 III with 4k 10bit HDMI out (LOL like that would happen). I think the overall package of the NX1 is just so nice, you have to spend big money to get something that tops it. We'll go spend 4 days on Mallorca next weekend so hopefully I'll get to shoot some clips and do some timelapse.

That would also explain why they say it is only compatible with the listed Sigma lenses and not all EF lenses.

I noticed that on some comparison videos I've seen. They said both cameras had the same settings but white balance was totally different. Which one do you think is better? Both far off sounds bad. I guess there is some function to set a white balance by shooting a neutral grey card. How does that work?

http://petapixel.com/2016/01/20/panasonic-cm10-is-a-phone-camera-successor-that-drops-the-phone-part/ They dropped the actual phone part but I guess you could use a bluetooth headset or so? But seems more like a cut down CM1 than a successor.

I think Mattias and Ebrahim are right on the money. I've now shot (stills photography) with Canon (5D II, 5D III, 1Ds III), Fuji (X-E1, X100s, X-T1), Nikon (D800, D750) and Samsung (NX1)... and the Canons were probably the technically worst cameras (comparably low dynamic range, shadow banding, marketing cut down features, ...) but the best usability. They just work. Everything is in the right spot, the menus are easy (and you barely need use them), everything is quick and snappy. They sell no matter what and to be honest, as much as I like to bash them for their reluctance/incapability to progress, their products are solid. Plus, hybrid market is such a niche, I'm sure 95% of people buy these cams just for stills. On the weekend I was seeing an exhibition of the "Wildlife photographer of the year" pictures and it was basically like a Canon exhibition, every second picture was a 5D II or 5D III. In the end, they're still great cameras (the one digit bodies) and forums just focus way too much on the technical feature side (I love gear and features, guilty as charged).

Thanks to the announced Sigma SA to Sony E adapter, you suddenly even have a viable solution to use the Sigma SA lenses on a not still life / landscape camera.

But won't that decrease the dynamic range quite a bit? I mean they're blaring about 14 stops in S-Log3 which is probably less actually usable stops (11-12?), so using PP Off will probably give you the same lattitude as the regular profiles on a Canon EOS or a Nikon. At least that was my understanding so far.

No it's not... I'm not sure which 16-35mm he means but the Sony FE 16-35mm f/4, Sony ZA 16-35mm f/2.8, the Canon 16-35 2.8 L, Canon 16-35mm f/4, etc. are all Fullframe lenses. I don't think there exist any 16-35mm APS-C lenses.

Well, he's capable to do that in a laboratory probably... with god knows what system connection and active cooling.

But the question is, once the GS issue is solved, will they actually ship out directly or send out to beta testers to make sure it works? That's then at least another one to two months I guess. I'd be amused if they would actually announce new cameras at NAB, that would be hilarious.