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markthetog

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  1. OK, I am a still photographer that has been in this game since the 60s. I was raised in the darkroom and the magical realm that film. chemistry and paper created. I was in love with the whole process as long as I was a hobbyist. When I became a commercial photographer and photo lab owner I longed for digital imaging. My brother ( a programmer and current head of engineering at a major photographic company) and I would dream of devices that would allow us to create repeatable images that could be printed electronically or transmitted to clients for them to use. It was a business issue for us. We wanted more time for making great images. Nor did we want to spend hours in the lab beating a negative into submission only to be asked to make 12 more prints exactly the same way. When I converted my labs to digital processes in 1995 I was delighted by the quality that exceeded conventional chemical processes even then. Cameras were not there yet but scanners, software and printers were. I was able to dramatically grow my business because of quality that was head and shoulders above the performance of analog processes. So much so that even lay persons could easily see the difference. Today, the digital process has so many advantages objectively over film production that I can scarcely justify the use of film except as an anachronistic exercise much like using wet plate process or gum bichromate. Film R&D stopped many years ago with only a couple of players in the market making any progress and that was to make their film stocks more compatible with scanners. Digital capture and the workflow solutions are being refined, advanced and pioneered by many companies and individuals around the world. The quality, already better will only extend its lead. Yes film has a certain quality, it is called obsolescence. You can make digital look like film if you want but why? We are not making Kabuki here with calcified rules and traditions. We are making new imagery with a medium that now allows us higher quality and more flexibility. Many of you weren't alive when we were using film but we were always looking for better tools and techniques and not looking to go back to nitrate film and orthochromatic stock. Sorry, but the rationalizations I hear for film are all subjective "feel" arguments that seem to mask a fear of learning new tools.
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