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N.Mendes

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Posts posted by N.Mendes

  1. I've found this one but it seems to have two little fungus (look at the bottom left photography):

    http://www.ebay.com/itm/HYPERGONAR-CHRETIEN-BENOIST-BERTHIOT-16mm-STOP-cine-lens-anamorphic-objectif-/301488777197?hash=item463221a7ed&nma=true&si=tPnvnr2m0x3GXSz8zn8oACCQn2I%253D&orig_cvip=true&rt=nc&_trksid=p2047675.l2557

    Are these fungus contagious for my lens (Some people say fungus are contagious, others say No, i don't know who to believe), and also, how will that affect the image?

    Thanks for your answer guys..

     

  2. How are you guys? I'm looking for an anamorphic solution and before going crazy i'm asking for your help, i'm glued to my screen since 6pm and it's 2.30am now..

     

    So, what is the difference between these three Hypergonar lenses: 

     

    -Hypergonar Hi fi 2 (the biggest and maybe the best in term of optical quality ?)

    -Hypergonar mini STOP 2x ( 6 versions of this one exist but really little informations are available ) http://www.ebay.fr/itm/H-Chretien-MINI-Hypergonar-2x-anamorphic-tags-Hi-Fi-2-Kowa-Bolex-Moller-Eiki-/141764347598

    -Hypergonar Baby 1.75x (The tiniest)

     

    In term of "character", Minimum focus distance, Flare (Blue or Gold), ease of use. What accessories do i have to buy for each solution? (Diopter, clamp)..

    I will shoot on a Full frame camera, probably on analog slr.

     

    I need the most "dramatic feeling" possible.. Does the 2x bokeh differs a lot from the 1.75x one? 

     

    Thanks in advance all, The bottle has been thrown in the ocean, i can now take some rest now..

  3. And I love the BRZ, but they play on different leagues.

    Real talk, but i also agree with Andrew..
    Any look can be achieved with Raw, film look too..

    I'm just waiting for a stable version of ML and a Hoodman card 1000x.. And then, i'll make my own test, with cinematography grade (play with curves, saturation and add some film grain..), i'm pretty sure that results will be incredibly amazing..

  4.  

    For example, since you're mentioning F35 vs 5D. For each pixel in the final 1080 resolution, the F35 had 6 pixels in the sensor and the camera downsampled them to get that one pixel. That means each pixel has full red, green and blue information. No interpolation. 

    Now, compare that with a bayer pattern sensor like the one the 5D uses, where only 25% of the pixels go to red and blue. From 25% to 100% there's a 75% interpolation gap there. Yep, that's a big gap to fill in compared to a F35 right?

     

     

    Hello Miguel, so according to you, there is a "huge difference" between the 14bits raw from the 5d sensor and the f35?
    According to your explanation, it seems to be, but in the field, things don't are a bit more "complex" ?
    I mean, with a good post prod, you can make your 5d 14bits raw footage whatever you want am i wrong?
    I've seen some f35 footages, looks as appealing as hell, really more "filmic" than what has been achieved with the 5d..
    But again, with a good post prod, isn't it possible to achieve almost the same look?

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