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frerichs

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  1. Like
    Leica50mm
    frerichs got a reaction from Leica50mm in It lives! 5 year old $350 Canon 50D becomes raw cinema monster   
    Using the May 28 build and the settings recommended throughout this post, I did a test run and posted the video on Vimeo.  I have a Lexar 64Gb 1000X card and was able to record at 16:9 at 57mbps without filling the buffer but had issues at 3:2 at 71mbps and couldn't achieve more than 450 frames before stopping.

    I used an external SmallHD monitor via HDMI and had weird intermittent frame garbage.  Happened in both 16:9 and 3:2.

    Workflow was RAW>raw2dng>Photoshop RAW>TIFF>Quicktime>FinalCut 7.  

    Shot with a Moller Bolex 1.5x anamorphic lens and Zeiss 80mm f/2.8.

    www.vimeo.com/67965891
  2. Like
    nahua
    frerichs got a reaction from nahua in It lives! 5 year old $350 Canon 50D becomes raw cinema monster   
    Using the May 28 build and the settings recommended throughout this post, I did a test run and posted the video on Vimeo.  I have a Lexar 64Gb 1000X card and was able to record at 16:9 at 57mbps without filling the buffer but had issues at 3:2 at 71mbps and couldn't achieve more than 450 frames before stopping.

    I used an external SmallHD monitor via HDMI and had weird intermittent frame garbage.  Happened in both 16:9 and 3:2.

    Workflow was RAW>raw2dng>Photoshop RAW>TIFF>Quicktime>FinalCut 7.  

    Shot with a Moller Bolex 1.5x anamorphic lens and Zeiss 80mm f/2.8.

    www.vimeo.com/67965891
  3. Like
    JohnBarlow
    frerichs got a reaction from JohnBarlow in It lives! 5 year old $350 Canon 50D becomes raw cinema monster   
    Using the May 28 build and the settings recommended throughout this post, I did a test run and posted the video on Vimeo.  I have a Lexar 64Gb 1000X card and was able to record at 16:9 at 57mbps without filling the buffer but had issues at 3:2 at 71mbps and couldn't achieve more than 450 frames before stopping.

    I used an external SmallHD monitor via HDMI and had weird intermittent frame garbage.  Happened in both 16:9 and 3:2.

    Workflow was RAW>raw2dng>Photoshop RAW>TIFF>Quicktime>FinalCut 7.  

    Shot with a Moller Bolex 1.5x anamorphic lens and Zeiss 80mm f/2.8.

    www.vimeo.com/67965891
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